Ryan Patch
Forum Replies Created
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Hahaha… yesh. 5TB.
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I get this too. It is obnoxious, for sure!
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Like FCP or ProTools, audio needs to be all in the same bit and sample rate in order to be able to mixed together. Whereas FCP would wait until you wanted to play a timeline and then render the audio needed (remember the BEEP BEEP BEEP?), Adobe Premiere (like ProTools) just conforms all audio to the same, 48khz, 32-bit filetype upon import so you don’t have to wait when you want to play it back in the timeline.
There’s plenty of information about this out there, if you need more just search the forums.
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Woah, Todd. Your users *like* the product. They like to talk about it. We like to talk about what the program we sit in front of for 8 hours a day might look like in 6 months. Sort of like I like to think about what “The Dark Knight Rises” will be like or my vacation this summer might have in store. This is valuable buzz for you guys. Don’t be such a killjoy, man.
You just gave me a totally bad taste for the Adobe brand, dude. The big middle finger. Now I know how much you guys appreciate us.
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Much easier way:
Clip Menu> Audio Options > Breakout to Mono.
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It’s the QT player. What you see in Premiere is correct. This is a well known issue. Play our final with VLC player instead of QT.
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Not unless your target is an interlaced TV (i.e. standard def tv through DVD? Perhaps selling bootleg Korean soap operas in India?)
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I’ve only seen this happen when dealing with an audio file that has a speed change (ramp) on it. Do you have a motion effect on an audio file from the AAF? That’s what’s causing it.
Ryan
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De-interlacing the footage will not loose resolution, it simply combines the two fields.
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Yes, to clarify, this is AUDIO conforming, not video. Adobe can handle H.264 on the fly, and it’s not a matter of handling the video codec, but of the variance in sample rate of audio. ALL editing programs need to have their sample rates the same before mixing audio files – FCP just did it in the eternally unrendered audio in the timeline (*BEEP*BEEP*) – Adobe does it on import so you never have to think about it again.
Every time you delete the files, new ones will be created. As Angelo said, you can (and perhaps should) clean out old files, but then it will take a long time to restart old projects. I just set them to generate in the same directory as the media, and then they just always travel with the media files.
It’s just sort of something that I’m come to expect when importing a huge amount of footage into a project – it slows down a little bit, but as soon as you hit “play” conforming halts and waits. If it really bugs you, just import a chunk, go to the bathroom, and it’s usually done by the time you get back.