Ryan Hill
Forum Replies Created
-
So there won’t be an easy way to animate that, then.
-
Duplicate the layer, mask out one figure for each layer.
-
Version 7.0 pro
-
And “twirl down” means “click on the little arrow.”
-
I think you’ll find this is the wrong way to do it. Mask Shape is the right way to do it. On the timeline, open up the mask’s info by clicking the little arrow to the left of it.
Also, for an animated character, if the background is still, you might be able to export a couple of frames as the character runs around, and then copy and paste the bits of the background together into a picture of the background.
-
If you’re moving the camera at all, then the best thing is to light the screen as flat as possible. If it’s not lit well enough, you can use inner/outer key, but that’s pretty labour intensive.
-
Brush up on your trigonometry.
I’m trying to picture what you’re talking about. Is the leg just staying straight and stretching and squishing to fit the distance? Because that doesn’t sound too realistic, but you didn’t say anything about bending at the knee.
-
Brush up on your trigonometry.
I’m trying to picture what you’re talking about. Is the leg just staying straight and stretching and squishing to fit the distance? Because that doesn’t sound too realistic, but you didn’t say anything about bending at the knee.
-
I tend to use difference matte, even when I have a proper green screen, because it’s more forgiving of the lighting. Though that only works when the camera is locked in place.
-
And one quote from that tutorial:
“Real” shatter maps use red, green, blue, yellow, magenta, cyan, white, and black shapes that are carefully placed to produce the desired effect.They don’t really explain, but I think the point of all the colours is just to make sure no two side-by-side fragments have the same colour.