Ryan Elder
Forum Replies Created
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Oh no, I didn’t mean to imply I was getting them mixed up. I just meant that now that we have established how high to set the kbps, how high should I set the mbps after?
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As for ‘bit depth’, it’s not called that in premiere pro, it’s just called Target bitrate, or mbps.
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Oh sorry I meant mbps now, not kbps.
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Oh okay thanks, this is what I thought, but I was just guessing. What about mbps? Some tutorials say to put it at 16, but should I? When I try to click on the properties of the original footage though, It does not list Mbps.
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Okay thanks. If a film festival lists how many Mbits they want in your movie, but not kbps, any idea how to determine how many kbps, there should be?
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Oh okay but it says Mbps, isn’t that different than Mbit?
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Oh yeah, without audio in enabled it always goes faster, but I want audio though of course.
Actually I was using Adobe Media Encoder to do the exporting. But if I export out of Premiere Pro directly, then it goes much faster, it turns out, with the audio as well.
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Actually, some other filmmakers say to shoot in 1.85:1 cause if your movie gets picked up for distribution, it will increase your chances, cause then they don’t have to do near as much pan and scanning if they want to make it for 16:9 TVs. If this is true.
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Now I haven’t but I just tried it and it worked… Works fine now!
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The files are wav 24bit/48 khz if that is what you mean?