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  • Aspect ratio and film festivals.

     ryan elder updated 1 year, 8 months ago 3 Members · 20 Posts
  • ryan elder

    September 8, 2018 at 4:09 am

    My next project is a horror thriller type genre film and I am contemplating which aspect ratio to shoot it in.

    I was thinking either 2.39:1 or 2.20:1. However, I was told that most theaters are specifically formatted to project at either 1.85:1 or 2.39:1, and that most projections are not trained on how to adjust projections at most theaters, which is why they have just the main two aspect ratio settings almost all the time. Therefore, I was told to shoot in 2.39:1 to be safe.

    But do you think that’s true though, and I should shoot in 2.39:1 to be safe with most theaters when it comes to entering into film festivals?

  • Gary Huff

    September 8, 2018 at 4:33 pm

    [ryan elder] “But do you think that’s true though, and I should shoot in 2.39:1 to be safe with most theaters when it comes to entering into film festivals?

    Film festivals will project whatever aspect ratio you deliver in to their specifications. You should pick the aspect ratio based on what is good for your short, not the other way around.

  • ryan elder

    September 8, 2018 at 4:46 pm

    Oh okay, this is the opposite of what I have heard before, and that projectionists are not usually trained on any other than 1.85:1 and 2.39:1.

    However, I was told that the movie Tomorrowland was shot in a 2.20:1 aspect ratio, but they put it in a 1.85:1 DCP with black bars on the top and bottom, and that the reason why they did this, was so the theaters could display it properly, since they are only set up for 1.85:1, or 2.39:1.

    So is that true, and that if I shot it 2.20:1, then I should put it in a 1.85:1 sized DCP?

  • Gary Huff

    September 8, 2018 at 11:25 pm

    [ryan elder] “Oh okay, this is the opposite of what I have heard before, and that projectionists are not usually trained on any other than 1.85:1 and 2.39:1. “

    Whoever told you that didn’t know what they were talking about. If you’re delivering a DCI, it especially doesn’t matter because all DCI “prints” are 1.9:1 and matted to the appropriate AR within that. There’s no “training” involved at all.

  • ryan elder

    September 9, 2018 at 3:11 am

    Oh okay, so if I want to shoot at 2.20:1 then what pixel aspect ratio should I export it at? For example 1.77:1 is 1920 x1080 in HD, and 2.39:1 is 1920 x 810. But I can’t find out what 2.20:1 is in pixels. How do I find out?

  • Gary Huff

    September 10, 2018 at 2:56 am

    Exporting for what? Vimeo/YouTube/Facebook?

  • ryan elder

    September 10, 2018 at 3:26 am

    Exporting for film festivals.

  • Gary Huff

    September 11, 2018 at 12:51 am

    Then you’ll need to create a DCI package and export for that. I think you’re putting the cart before the horse considering that a) you haven’t shot your short yet and b) you’ll then need to enter it into festivals. This question should be left until you have a completed master of your short film and you have the deliverable specs to the film festival that accepts it.

  • ryan elder

    September 11, 2018 at 1:32 am

    Okay thanks, but don’t need to decide the aspect ratio before shooting, to know that if a theater will accept it?

    I don’t want to shoot in an aspect ratio, and then be told later, that they cannot handle it for any reason.

  • Gary Huff

    September 11, 2018 at 2:52 am

    [ryan elder] “Okay thanks, but don’t need to decide the aspect ratio before shooting, to know that if a theater will accept it?”

    No, as I stated before:

    [Gary Huff] “Film festivals will project whatever aspect ratio you deliver in to their specifications. You should pick the aspect ratio based on what is good for your short, not the other way around.”

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