Ryan Elder
Forum Replies Created
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I would say the less frames the better cause then that is less processing to do for layering one layer of footage over another.
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Okay thanks, are you saying to render out the video and audio both separately, and then bring them both back as separate files?
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I just rendered out the movie at 23.976 fps and then re-imported it and re-interpreted the footage to 24 fps. However, the video clip is now longer than the audio clip after re-interpreting it. What do I do then?
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Oh okay, but where do I find the dnx settings?
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Okay thanks. It says 24 bit on the export settings, unless I’m reading the wrong setting?
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Oh okay, my mistake. I can render it out in DNxHD then, but would there be a quality loss though, if I rendered it out in that format, then reimport it, then render it out again?
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Okay thanks, but I already tried this, and there are black spots in the video. What I mean is that every second there is 0.024 of time left over after every second in a 24 timeline with 23.976 footage imported into it.
So when every second hits that 0.024 of empty space, it creates black spaces in the video. What do you do then, or at least that is what is happening, when I import 23.976 footage onto a 24 fps timeline.
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Okay thanks, but if I do that, are you saying to set the export setting at 24 fps instead of 23.976? Cause if I do that, won’t the speed of the audio still be the same though, and not change with the fps?
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Okay thanks, but if I drop the 23.976 movie into a new 24 fps timeline, there are black spaces in between some of the clips because of the new timing, it causes black spaces in the video. If that makes sense? So the sound seems fine but the video is not then.
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Oh okay thanks, none of the tutorials I read or watched on how to get an AAF out of Premiere into Resolve, talks about re-numbering all the takes. I gave the takes names so I would know which is which, of course. But each tutorial skips over this process.