Forum Replies Created

Page 14 of 171
  • Russell Lasson

    August 17, 2009 at 11:13 pm in reply to: 720p30 captured as 720p60

    720P30 @ 720P60 should just have a duplicate frame after each frame. So if you drop a 720P60 clip into a 720P30 timeline, it probably will remove the duplicate frames by just playing every other frame. This might be an option.

    Another option might be to use compressor to convert it.

    Do some tests.

    -Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    August 7, 2009 at 8:42 pm in reply to: Fixing a blown out background

    Unfortunately, you’re in a bit of a pickle. The white information is likely clipped, meaning that there’s no more detail there. If you pull it down with color correction, it doesn’t allow for any more detail and it just turns shades of grey instead of white.

    Option 1: Reshoot

    Option 2: Rotoscope person and put in a new background

    Option 3: Settle for some sort of look to minimize the clipping in color correction

    Play around with it and post some stills if you want. Helps to see what you’re actually talking about.

    -Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    August 7, 2009 at 6:14 pm in reply to: anyone got an avid? need a favor

    [Aaron Neitz] “That’s why you’re a cow leader! “

    I am? Wait, how did my head get up there. Walter!!!! You playing tricks on me again?

    -Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    August 7, 2009 at 5:11 pm in reply to: anyone got an avid? need a favor

    AVID Media Composer has a trial version. Have you tried that?

    -Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    August 7, 2009 at 5:11 pm in reply to: FCP and Red gotchas???

    [Joe Procopio] “I don’t know where the conform will take place, as of right now, we have the offline…and will probably use the new ProRes offline resolution to cut the movie, unless it is too compressed, but we’ll see when it gets here.

    If you know that you’re going to do a conform somewhere, I’d suggest using Clipfinder to render to ProRes Proxy for the offline. In that case, you don’t need to worry about MAX or 3K. It will deal with it fine.

    But it really depends on how and where you’ll do the conform and finishing work.

    -Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    August 7, 2009 at 3:33 am in reply to: advice in purchasing a new MAC pro

    [Nelson May] “But in the grand scheme of things, would I still be able to edit 2K and XD can on an 8 core 2.26 pretty well? “

    Either computer will be fine. It’s generally accepted that the new 8-core 2.26 (2009) is faster than the 2008 8-core 3.2 Mac Pro. And the 2009 Mac Pros might have more advantage with Snow Leopard.

    [Nelson May] “Also, do you think they will revamp the new mac pro soon and come out with a cheaper version like the MBP? “

    No. I don’t think so.

    [Nelson May] “If a better MAC is out there in 3 months that is cheaper, I may wait. “

    It’s really not likely coming.

    -Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    August 6, 2009 at 8:02 pm in reply to: advice in purchasing a new MAC pro

    If you do refurbished, I’d go with the 2.8Ghz 8-core with Applecare. There is some debate over whether it would be better to go with the new Quad 2.6 4-core with hyper-threading. Either way, they’re both great.

    I don’t think the other refurbished computers offer that much improvement. I’d rather spend the extra money somewhere else, like an SSD for a start up disk:)

    -Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    August 5, 2009 at 8:20 pm in reply to: H.264 Fast Turn Around…

    Change sequence settings to 720×480 and use ProRes Proxy or LT as your compressor. You might need to change the distort on the clips to have them display correctly for the 720×480 pixel aspect ratio. RT Extreme only works with standard broadcast frame sizes and 640×480 isn’t a standard for broadcast.

    Also, change RT settings to unlimited and you might even consider dropping the quality to medium or low for better playback speeds.

    Audio will most likely need to be rendered constantly.

    -Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    August 5, 2009 at 7:23 pm in reply to: Best Hard Drive for archiving projects

    [Tristan Olson] “What is the best external hard drive for archiving media when projects are finished?”

    Enterprise drives are considered to be the best. Check these out:

    https://eshop.macsales.com/shop/firewire/1394/USB/EliteAL/eSATA_FW800_FW400_USB

    https://eshop.macsales.com/shop/hard-drives/RAID/Desktop/

    [Tristan Olson] ” I want to ensure nothing goes wrong when it sits on a shelf for a long period of time. “

    First, keep two copies in separate locations. Second, LTO is generally considered to be much more reliable than drives. Drives sitting on shelves can still go bad. I don’t know how, but I’ve had it happen. LTO is a standard throughout many industries for archiving data. You might consider an option like that.

    -Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    August 5, 2009 at 5:33 pm in reply to: ProRes 444 DL Easy Setup?

    To capture dual link with an Kona 3, you’ll need to change the AJA control panel to dual link.

    If you have a decklink card, then the drivers haven’t been updated for FCS3. You might be able to create your own setup that works, but then again….

    -Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

Page 14 of 171

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy