Forum Replies Created

Page 122 of 171
  • Russell Lasson

    June 15, 2007 at 6:58 pm in reply to: HD WorkFlow vs Hard Drives.

    If you’re going to be doing 1080i 29.97 or 23.98 10-bit uncompressed you’d probably want two Xserve RAIDs to get the data rate high enough.

    720/24P uncompressed runs fine on a single fully populated Xserve RAID.

    You might just start with ProRes and see if that’s good enough for you and your clients.

    -Russ

  • Russell Lasson

    June 15, 2007 at 4:48 pm in reply to: Living with ProRes

    [Langosta] “My intentsions are to finish on tape an dvd.
    Whay is this important in this issue?”

    If you’re finishing on tape, only certain systems can handle outputting ProRes in realtime. If you’re finishing to DVD, then it’s just moving data and file playback isn’t a big deal. You could even export to uncompressed if you hand the room.

    -Russ

  • Russell Lasson

    June 15, 2007 at 3:26 pm in reply to: More Hard Drive questions

    Technically, Apple’s Disc Utility doesn’t care about having the same size drives for a RAID, but I would suggest it as you have.

    I wouldn’t buy the drives through Apple as they are typically over priced. Just get the system drive that you want, then add in 750s or 1TBs.

    -Russ

  • Russell Lasson

    June 15, 2007 at 2:12 pm in reply to: Cross Dissolves at 1080i

    And what color is your render bar? Red, green, orange, grey, purple? (It isn’t purple you’ve probably got some serious problems.)

    -Russ

  • Russell Lasson

    June 15, 2007 at 2:11 pm in reply to: More Hard Drive questions

    Well with a three drive RAID in you Mac Pro, you should be fine editing all flavors of HD except for uncompressed. Get a Kona card or the new IO HD and you’ll be able to use ProRes as an alternative to uncompressed.

    -Russ

  • Russell Lasson

    June 15, 2007 at 2:06 pm in reply to: Living with ProRes

    [walter biscardi] “If you have a G5 you might be able to capture DVCPro HD and then edit in a ProRes timeline, though I’ve heard some issues with that workflow too.”

    Or you could just change the timeline from DVCPRO to ProRes when you finish, but I really depends on how you’re going to finish (tape, DVD, web, cell phone cinema…)

    -Russ

  • Russell Lasson

    June 15, 2007 at 2:00 pm in reply to: 24 to 30 pulldown

    Nattress Standards Converter or output to tape. Only two I know of.

    -Russ

  • Russell Lasson

    June 15, 2007 at 1:44 pm in reply to: H.264 source files in FCP

    [Quinimine] “Is using H264 as a source file the issue here? Should i avoid using this as a source file?”

    Yes, for editing H264 is not a great option and causes extreme render times (as you well know).

    Use DV or DV50.

    -Russ

  • Russell Lasson

    June 15, 2007 at 1:36 pm in reply to: Plugin for After Effects

    [rafalaos] “I just wonder why applications like AE or Shake can not work in YUV. “

    At least with the new versions you can control the gamma of the clips so they interpret right.

    It does seem a little silly the it’s taken how many years to even get that?

    -Russ

  • That might work with a little trial and error. Setting the digitizing in point as the A frame and having your easy set up to be 720P/23.98 (upconverting the SD footage). You might need to play around with it, but that would be slick if you could let the card do all the work.

    -Russ

Page 122 of 171

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy