[Rui Coutinho]

I don’t want REC 709 cause the producer don’t intend to broadcast the media.
It’s for web, and since the H264s from Canon D7 are sRGB I want the NLE maintain the footage as it is.

My accomplish is to use AMC 5 to edit this footage,
but it looks like if do that I will be in trouble.

Thanks!!

[Rui Coutinho]

Thanks for your reply,

I’ve tried with FCP and the results are pretty good, starting from interpretation of Canon’s D7 color space.

This edit will published in the web,
so I don’t want my NLE messing with the original color space generated by the camera.
I’ve tried Avid MC 5 trough AMA and I get an automatic scaling to broadcast gamma levels, and this is something that I don’t want. (in this case…)

But I still have a question in Avid,
If I import without using AMA my Canon D7 H264s, encode to DNxHD 145, edit, export an uncompressed
Quicktime, in compressor encode this uncompressed quicktime to AppleProRes 422 HQ.
In the end I still got the Broadcast gamma levels, but I think in the grading we can adjust this??

Does it make sense?!

[Rui Coutinho]

Thanks!!

But I still want to know what video levels Canon EOS D7 generates ?

Rui

[Rui Coutinho]

Thanks for correcting me.

[Rui Coutinho]

Thanks!!

[Rui Coutinho]

DVCAM 411 PAL

[Rui Coutinho]

Thanks a lot !!

Rui

[Rui Coutinho]

Yeah you’re right about the NTSC DVD.
But I Want to do a PAL DVD…

thanks a lot!!

[Rui Coutinho]

Thanks for your response,
but the case is that there’s no belle nuit subtitler file.

And I have to do it directly in media composer.
My question is if someone have already did it in the title generators of the MC.

Thanks!!

[Rui Coutinho]

Cheers!!!