Forum Replies Created

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  • Robin Erard

    November 9, 2010 at 8:25 am in reply to: EDL multi layers

    hello,

    ok, but I have 4 images overprinted (I upload an image to explain you), if I can only import one EDL in Davinci, how can I grade all clips ? It seems to support only one line with cross disolve.

    Robin

    réalisateur, scénariste, monteur
    http://www.robinerard.ch

  • Robin Erard

    November 8, 2010 at 3:07 pm in reply to: Merging EDL’s through Resolve Question

    Hello,

    I don’t understand how you did this… Could you give the detail of the process ?

    Robin

    réalisateur, scénariste, monteur
    http://www.robinerard.ch

  • Robin Erard

    November 6, 2010 at 4:58 pm in reply to: Fade from FCP

    Euh ? Are you sure ? Then this software is not so good, because it appends very often to have multiple fades at the same time…

    Robin

    réalisateur, scénariste, monteur
    http://www.robinerard.ch

  • Robin Erard

    November 3, 2010 at 4:42 am in reply to: Log Lin, where

    Hi, thank’s.

    Then if I input a Prores422 HD, normally in Rec709 (I think), I grade between 64-940, Resolve will render in Rec709. But when I import these rendered DPX to Apple Color it interprets it like a 0-1023 signal (linear). Is it normal ?

    Does it mean that Resolve always output 0-1023 signal but sometimes in Log, sometimes in Lin ?

    Robin

    réalisateur, scénariste, monteur
    http://www.robinerard.ch

  • Robin Erard

    November 2, 2010 at 4:19 pm in reply to: Log Lin, where

    Hello,

    Good question. The lab will adapt the print-light according to the colorgrading. They apply a Rec709->LOG (3D Lut).

    The last film of Godard has been made like that, the colorist gave the material to the lab and the lab had to find the solution to print as close as the video monitor.

    But my question was not this one…

    All the best

    Robin

    réalisateur, scénariste, monteur
    http://www.robinerard.ch

  • Robin Erard

    November 2, 2010 at 4:04 pm in reply to: Log Lin, where

    Hello,

    I’m using RED Material without 3Dlut. But the lab (35mm print) would like DPX in LOG.

    All the best

    Robin

    réalisateur, scénariste, monteur
    http://www.robinerard.ch

  • Robin Erard

    October 30, 2010 at 11:50 am in reply to: toggle grade on/off shortcut?

    Ehehe.

    Ok, and one dollar more if you tell me how to put grade in Memories (A-Z) with Keyboard or Tangent Wave and how to reload these memories.

    All the best

    Robin

    réalisateur, scénariste, monteur
    http://www.robinerard.ch

  • Robin Erard

    October 30, 2010 at 11:19 am in reply to: toggle grade on/off shortcut?

    Youh ave just revolutionized my life too !

    Thank’s

    réalisateur, scénariste, monteur
    http://www.robinerard.ch

  • Robin Erard

    June 9, 2010 at 11:24 am in reply to: Ultra scope, SDI & HDMI different

    Hello,

    thank’s. I used a HDMI -> SDI converter. To compare HDMI and SDI output from Blackmagic. And it’s different when I import in apple Color a QT Uncompresded. Via HDMI it’s similar to the scope in Apple Color, but via SDI it’s different.

    Robin( who still speaks French)

  • Robin Erard

    October 11, 2009 at 8:36 am in reply to: Media Express 2.0.1 now available

    Hello,

    Bravo again. Again a 50% of good work. I’m agree with an other user : the number ONE problem is this resolution. I’m again very disapointed by your service. My father is working for watch industry, he can’t offer a watch if it doesn’t work 100% fine… then next time : tell us precisely what means “Soon, is it 1 day, 1 week, 1 month, 1 year ?

    Sorry for my english I normally speak french.

    Robin

    réalisateur, scénariste, monteur
    http://www.robinerard.ch

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