Robert Olding
12
Apple Final Cut Pro X Coins
21
COW Coins
Forum Replies Created
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MotionVFX has quite a few great templates.
motionvfx.com
MotionVFX — Final Cut Pro & DaVinci Resolve Plugins
Leading creators of plugins, templates, and add-ons for Final Cut Pro and DaVinci Resolve. We’ve been setting trends and pushing the boundaries of motion design and plugins’ quality for years. Our products are a benchmark for the industry and inspiration … Continue reading
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It’s done on the Project level. Select a Project in the Browser and then in the Inspector window you’ll see the three-arrow icon. It’s called the “Share Inspector”. You can fill out the fields there and FCP will remember your custom settings for that particular Project.
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It’s probably the cache location. Most applications use both RAM and the cache location as temporary storage while they’re processing files. My assumption is that your cache is set to the Library or some other place on your local disk.
If you’re able, you should purchase a really fast separate 1 to 2 TB drive and use it only for the cache location.
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As Doug stated, there is no need to compress or change the resolution of any of the files. Import the video files, and then set your project to the resolution you want (based on your original question, I’m assuming it 1920×1080), then start editing.
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Most of the recent crashes and hangs are related specifically to the discontinued Accusonus ERA audio plugins. This video from Matthew O’Brien explains the process of making sure you find all the pertinent files to remove the plugins and fix the situation.
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Most of the recent crashes and hangs are related specifically to the discontinued Accusonus ERA audio plugins. This video from Matthew O’Brien explains the process of making sure you find all the pertinent files to remove and fix the situation.
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I’d bake it in. Candles and incandescent bulbs should look warm to the eye. But I wouldn’t balance for daylight, the warm tones from the candles would probably be too strong. If you trust the on-set monitor, play around with the balance until it looks good to your eye. I suspect it will be somewhere between 3600k and 4500k. This will also give you a bit more latitude for adjusting it in post.
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Do they show up in the inspector window? If not, trash the preference file and see if that helps.
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FYI, DPI is a term from the print world; it stands for Dots Per Inch. It pretty much translates precisely to the digital world of PPI, Pixels Per Inch.
Super 35mm film is 24.89 mm by 18.66 mm (0.980 in by 0.735 in); if your client wants 1200 DPI/PPI, all you need to do is the math. It works out to be 1176px by 882px.
I’d double-check with the client and confirm that’s what they want. They might have an actual dimension in mind, such as 10 inches on the long side. If that’s the case, then the DPI/PPI for an image file scanned from a Super 35 frame to make a print 10 inches on the long side would be 12000px by 9000px.
1200 DPI/PPI is an odd request for print as the industry standard is 300 DPI/PPI.
You mention 2K in your post. If you are scanning Super 35mm to standard video 2K resolution (1920px on the long side), your numbers would be 1920px by 1440px.
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I did some digging around about the Mac Studio TB4 ports and buses. All current “M” Macs have one TB4 bus for each port. So, the M1 Max will have four TB4 buses, and the M1 Ultra will have six TB4 buses.
