Robbie Carman
Forum Replies Created
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I would also add:
Are the ultra scopes built in or as separate box (as they are now)?
I understand from talking to the guys in the booth RED real time only supported on Linux but can RED be supported on Mac but with rendering?
Anyway to get dimensions on control surface? Think a new desk is in my future as well
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
QT Pro (old one not the new one in 10.6) is an easy way to just get a single movie. I agree with Noah AE for a plethora of reasons for stop motion work is helpful. If your interested in my new book Still To Motion we have a whole chapter on Stop Motion and workflow etc. You can find the book on Amazon
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
[Noah Kadner] “I have to say I’m starting to hate all these Hitler videos as much as the original guy.”
Totally! And the worst part is that there are literally 20 different versions of this scene with Hitler hating everything from the 7D, 5DMKII, iPhone3GS etc. Totally old and plus Hitler really shouldn’t be all that funny IMHO
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
no what you need is a microphone preamp with phantom power. Preamps made by Beachtek and JuicedLink are you’re best bests. Connect the shotgun to the preamp, switch on phantom power, adjust levels and plugin the 3.5mm output into the camera.
Some onboard preamps even allow you to override AGC
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
Personally on the 50 I would go with the Zeiss. The 50 1.2 is hard to lens to use wide open (any lens that fast can be but the better dampening and longer throw on the Zeiss makes up for it). At 85 I would also favor the Zeiss for video but I love the look of the 85 Canon for still portraiture.
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
Hi Ryan
Come join us over at the Color Forum (I’m a leader over their too) In addition to Ripple Training you I’ve done a few videos here on the COW and you can also check Lynda.com I’ve done all of their Color products
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
Totally agree a bunch of pretty smart guys! Gary Adcock who is featured in the video is a fellow COW moderator and was also the tech editor for my new book – a top notch guy
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
Noah is right lots of ways to go here depending on budget. But I’d take a look at the Zoom H4N, and the Tascam DR-07 there are others in that price range that are good too from M-Audio and others
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
yike! I would stay away from the pliers
Check this tool out I have one and it works wonders as it can grip the entire surface area of the stuck filter at once. I must have in any kit
https://www.bhphotovideo.com/bnh/controller/home?O=&Q=&IC=GBFW6277&A=RetrieveSku
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
[Neil Abeynayake] “One example is Canon’s WFT-E5A Wireless File Transmitter: “
Have you tested the E5A with video? My understanding ( I don’t own one) is that it is limited to still capture transfer only
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion