It seems that the discussion on what to do with the P2 original footage is still in full swing, with no solution rising to the top as the defacto standard. What’s long term, what’s fast, what will be future proof? Well, I was outputting station dubs to Betacam, an old analog format, back in the mid 1990s. i can still play those tapes today. We still output to Betacam today for station dubs in our market.
So what’s wrong with outputting the raw footage to a DVCProHD tape? It will sit on the shelf nicely until you need it. It will last a long, long time, and making a dub is easy enough and pretty cost effective. Having a deck will allow you to archive your projects to tape as well so you can make dubs from the tape, rather than having to restore a file and then convert it to whatever format.
The post workflow is ok, but I think this is one new format that even the manufacturers didn’t put much thought into what would happen after the shot was captured to the media card. The options become dramatically exponential the farther from the card you get.
Clunksville.
Rich Rubasch
Tilt Media