Rich Rubasch
11
COW Coins
3
Premiere Pro Coins
Forum Replies Created
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Thanks for sharing!
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
Hmmm…links are down.
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
I agree with the 854 x 480 or even 832 x 464 (both numbers divisible by 16) is adequate.
A film admissions judge is going to be looking for content not video quality and you better meet their specs…coming under is a plus!
But the story and writing and overall production value (obvious even with a low rez clip) will be what they are looking for.
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
It’s real…Van Damme himself said there were only safety wires and the trucks practiced for three days. I still think the trucks drove forward and the shot was reversed…but the stunt was real and captured in one fluid shot.
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
Couldn’t they have had safety gear under him and simply removed it in post? Plus drive the trucks forward then reverse the whole shot. Seems entirely possible. And if they sped it up a bit after reversing the shot they would not have been moving very fast to begin with.
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
MPEG Streamclip have a place in this quandry? Or since it relies on the QT foundation it will become useless….that would be a shame.
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
It’s more about horizontal (and to some degree vertical) motion. With interlacing you get the “effect” of recording at 60 frames per second, however only the first 1/60th of the second is recorded into a field (half the vertical resolution) and the second field is recorded to the second field, making up the frame.
With 30p interlaced recording, the recorder stops the motion and records the entire frame made up of the two fields. But the horizontal motion might have a more juddery look.
24p has even more pronounced judder since it only grabs frames at 24 frames per second.
Old CRTs operated at the 60 hertz rate so writing fields gave the smoothest image. (sports etc) Now with flat panels I think a progressive video looks better so we normally record 29.97 30p interlaced and interpret as frames (non interlaced) even though the video playback is actually interlaced (running at 60i)
True 60p (think Sony CineAlta and HDCAM) can record at a true 60 FRAMES per second. No small feat!
Helpful?
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
I have that deck and loved it….notice I say “loved.”
Hard to say love today.
Only real issue? It would not play SLP or EP recorded tapes…normal speed only.
It was all about the quality!
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
Wasn’t he in the recent GoDaddy spot doing the splits.
It’s real.
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
I think you mean the AICP (Association of Independent Commercial Producers) excel doc. Not sure where it is but wanted to clarify!
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com