Richard Harrington
Forum Replies Created
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Open the Timeline panel… advance one frame
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Just OPEN the video Don’t import frames to layers. File > Open
Make it a smart object to filter or step through frame by frame to root
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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I never said it was bad for all users.
The book is being written for photographers. A group I have frequently worked with to help learn video.
As an Aperture user and knowledgable person in the Apple ecosystem, I think the app is good for very many folks.
Am I happy with how folks were misled about features and updates.. nope.
Do I wish a 64-bit version of FCP 8 came out. yep.
Do I think its a good app for some folks. absolutely
Can I use it in my 10-person production company for 98% of our projects and workflows. Not yet.I have always been vocal about what I love and what I hate. And there is a thin line between.
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Can’t change preferences in middle of a job
And no, bad idea to open a move while rendering.
That’s why many write image sequences
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Have you enabled multiple processors in your preferences?
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Actually chromatic aberration is more of a fringe at the edges due to high contrast.
That looks more like a channel blur with some keyframes applied
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Nope.. too heavily compressed
Bad for keying
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Shoot Color.. convert in Post. Much greater options and control
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Select layer.
Press U to see user added keyframes
Look for what properties are animated. Repeat value on last keyframe and adjust position as needed
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Image > Image Mode
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques