Forum Replies Created

Page 5 of 223
  • Check Color Space document is in

    Also use the Save for Web option

    Richard M. Harrington, PMP

    Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques

  • Richard Harrington

    July 30, 2011 at 2:25 am in reply to: work flow?

    I have 3 books that tackle Adobe workflow

    An Editor’s Guide to Premiere Pro
    Video Made on a Mac
    Motion Graphics Studio Techniques

    All are on Amazon and from Peachpit Press

    Hope they help

    Richard M. Harrington, PMP

    Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques

  • If you sequence is 1920 X 1080 use the corresponding preset in Photoshop to match

    Richard M. Harrington, PMP

    Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques

  • Richard Harrington

    July 19, 2011 at 11:15 pm in reply to: Creating subtitles

    In the Automating Photoshop DVD (in Cow Store) we teach Data Sets.

    This is the way to go.

    Richard M. Harrington, PMP

    Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques

  • Modify the gradient and its stops with the Gradient Editor

    Richard M. Harrington, PMP

    Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques

  • Richard Harrington

    July 19, 2011 at 11:13 pm in reply to: Overlay to compare

    Use the Auto Align features

    Then set top to Difference Blending Mode

    Richard M. Harrington, PMP

    Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques

  • Richard Harrington

    July 18, 2011 at 4:25 pm in reply to: Re-encode then re-encode then re-encode

    Because it is broadly compatible. Doesn’t make it less inferior.

    Ancient technology.

    Richard M. Harrington, PMP

    Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques

  • Use the asterisk key on the numeric keyboard. Already defined.

    Richard M. Harrington, PMP

    Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques

  • Richard Harrington

    July 18, 2011 at 1:00 pm in reply to: Re-encode then re-encode then re-encode

    You are making things WAY too hard.

    Convert your H.264 footage to ProRes with Compressor in advance.
    Keep it the frame size and rate you shot it.

    After editing, then resize and compress to delivery spec.

    JPEG is an AWFUl compressor for video. H.264 is widely used for event playback.

    Richard M. Harrington, PMP

    Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques

  • Richard Harrington

    July 17, 2011 at 8:00 pm in reply to: Saving and Loading Selections

    This is what alpha channels are for. Watch some of the COW podcasts on them.

    Richard M. Harrington, PMP

    Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques

Page 5 of 223

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy