Forum Replies Created

Page 5 of 19
  • Ray Palmer

    March 11, 2008 at 4:55 pm in reply to: Using music by professional artists

    [Judson Larke] ” I read somewhere that you can use a certain percentage of any song, royalty free. I think it was 10%. Is there any truth to this, even if the percentage is wrong? If so, how much of a song, be it in percentage, or some other measurement can be used?

    I had a copyright specialist explain this to me and it stuck.
    Copyright means that you do or do not have the right to “copy” the material.
    There isn’t any 10% rule. She mentioned that if a Judge can recognize the material you used and that it was originally “copyright” protected, then there is a case for a copyright violation.

    Ray Palmer, Engineer
    Salt River Project
    Phoenix, AZ
    602-236-8224 office
    There are three types of people in this world, those that can count and those that can’t.

  • Ray Palmer

    February 18, 2008 at 10:30 pm in reply to: Recording Live Bands

    A thought to consider.
    If you were NOT recording Video, how would you mic the group?
    With as many mics as you could and very close to the sound sources.

    Ray Palmer, Engineer
    Salt River Project
    Phoenix, AZ
    602-236-8224 office
    There are three types of people in this world, those that can count and those that can’t.

  • Ray Palmer

    February 18, 2008 at 1:51 pm in reply to: Recording Live Bands

    [Tyler Groom] “Would that be the best?”

    I have done this a few times and it ALWAYS came back where the Band wanted to remix the music that I recorded.
    In order to be able to re-mix the audio after the gig, you need to separate audio tracks for each “Voice” or musical instrument.

    If you want to go down that road, there are many ways to do it correctly.

    [Tyler Groom] “One band ran their vocals only, through a mixer,”
    The mix for the “House” is not the mix that you would want for a recording. I have used a multi channel Y cable before their mixer and taken my own split to my mixer.

  • Ray Palmer

    January 21, 2008 at 3:43 pm in reply to: Pixel burnout?

    We had a lit pixel on one of our HDX900 cameas. I couldn’t clear it by black balancing.
    I sent it to Panasonic and it came back repaired in a week. No charge and the memo said that it was corrected electronically.

    Ray Palmer, Engineer
    Salt River Project
    Phoenix, AZ
    602-236-8224 office
    There are three types of people in this world, those that can count and those that can’t.

  • Ray Palmer

    January 11, 2008 at 11:19 am in reply to: AJ-D250 deck

    [Ian Liuzzi-Fedun] “sc phase, h phase, chroma, video level and a bunch of other stuff.”

    I am not familiar with that deck however SC phase and h phase, ONLY refer to timed machines. That is a machine that is receiving Black Burst other video as reference in.

    SC, or subcarrier is a Delay control that adjust delay of the Subcarrier as it relates to the reference. The H phase is Horizontal Phase, a timing relationship to the horizontal pulse, again only as it relates to the video reference.
    SC is color information and H is horizontal position or timing. You can attempt to adjust both SC or H and nothing will happen if a reference signal is not present.

    I suggest that you find a waveform monitor to set your video and chroma levels.

    Ray Palmer, Engineer
    Salt River Project
    Phoenix, AZ
    602-236-8224 office
    There are three types of people in this world, those that can count and those that can’t.

  • Ray Palmer

    January 7, 2008 at 3:43 am in reply to: Need advice on wireless microphone

    [Ty Ford] “Omni lavs clipped or g-taped to a ceiling tile or grid cease to become omni and become boundary mics. “

    I do need to try that. It sounds like a better solution that what I have attempted in the past.

  • Ray Palmer

    January 7, 2008 at 3:43 am in reply to: Need advice on wireless microphone

    [Ty Ford] “Omni lavs clipped or g-taped to a ceiling tile or grid cease to become omni and become boundary mics. “

    I do need to try that. It sounds like a better solution that what I have attempted in the past.

  • Ray Palmer

    January 6, 2008 at 10:34 am in reply to: Need advice on wireless microphone

    What is that old saying? Every time you cut the distance from the mouth to the microphone in half you double the dB or sound level.
    Keep that in mind when you place the microphones in the ceiling.
    I have seen choir microphones that drop from the ceiling using their cable and can be painted to match.
    They will never sound as good as a head worn microphone.

    Ray Palmer, Engineer
    Salt River Project
    Phoenix, AZ
    602-236-8224 office
    There are three types of people in this world, those that can count and those that can’t.

  • Ray Palmer

    January 5, 2008 at 3:15 am in reply to: Need advice on wireless microphone

    [Sebastian Alvarez] “So we need to buy some sort of wireless microphone with a receiver tha can plugged in my camcorder, but this needs to be a good ambient microphone that can be set on the ceiling tile border right above the speakers’ area”

    First rule of wireless mics, don’t use them unless nothing else will do.
    Can you run a hard wired mic? It would be cheaper and a lot more dependable.

    Ray Palmer, Engineer
    Salt River Project
    Phoenix, AZ
    602-236-8224 office
    There are three types of people in this world, those that can count and those that can’t.

  • Ray Palmer

    January 2, 2008 at 3:27 pm in reply to: Recording VO using a Cell Phone

    Johnny,
    When you get a chance, can you add information to your Profile on the Cow?
    I could help if you were in my area. We don’t know where in the world you are.

    Ray Palmer, Engineer
    Salt River Project
    Phoenix, AZ
    602-236-8224 office
    There are three types of people in this world, those that can count and those that can’t.

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