Forum Replies Created

  • Rasmus Jürs

    November 11, 2011 at 4:59 pm in reply to: Overrated, overcomplicated and non removable.

    Thanks for the quick workflow breakdown btw =)

  • Rasmus Jürs

    November 11, 2011 at 4:58 pm in reply to: Overrated, overcomplicated and non removable.

    This is the first stand alone grading software ive tried. ive always been a plugin kinda guy when it comes to that.
    Im sure many of the features i find overcomplicated will come in handy when grading things like feature films. But when it comes down to brasstacks the only feature of DaVinci i miss in After Effects (w/ Looks and Colorista 2) is the tracking.

  • Rasmus Jürs

    November 11, 2011 at 4:51 pm in reply to: Overrated, overcomplicated and non removable.

    Merely expressed my opinion bro. No need to get a hissy-fit and take it all personal.

    Those were my initial thoughts on the software and nothing else. Im sure you make great work with it, but it is just not for me.

  • Rasmus Jürs

    November 25, 2010 at 10:23 am in reply to: 5D vs 7D

    If it is for Film making the difference in pixelcount doesn’t really matter between the two.
    The size of the sensor does tho.

    You have to ask yourself what kind of shooting you are gonna be doing.
    If you plan on using al kinds of crap attached to you camera the the 5d or 7d might be the way to go (Im talking follow focus, external monitors, steadicams etc.). But if your work just involves hand holding or a tripod the the 60D is best. The flip out screen and better audio features makes the 60D leave the other two in the dust as a “Naked” camera. (stricktly i terms of video, Still photography is another story)
    Basicaly the difference in videoquality between the models is unnoticable to most users.

  • Rasmus Jürs

    November 16, 2010 at 6:14 pm in reply to: HDSLR converion without FCP

    Thanks for the answer.
    My day to day work is primarily focused on printed media and web. But sometimes we get requests for small video productions. (Primarily web based) so i for the time being Premiere and After Effects more than encompass the range of tools i need.
    But since i’m still kinda new to the HDSLR thing, i haven’t really nailed my workflow yet.
    That is why im looking around for the possibility that converting to a format and codec that might improve the editing and CC speed and quality would be very welcome.
    So when i read that FCP users should convert to ProRes to get better editing and CC capabilities i started wondering if there was a similar process for Premiere users.
    And like Steve suggested, Cineform might be something to look into.

  • Rasmus Jürs

    November 16, 2010 at 5:57 pm in reply to: HDSLR converion without FCP

    think i might look into the cineform solution. at least try the free trial. Just to see if it gives a tangible difference.
    thanks

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