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Pratul Gaikwad
September 30, 2011 at 5:12 pm in reply to: Empty space at end of timeline coming through QT export

what is the timeline setting?
i observed this kind of weird behavior when working with .VOB files. What is the format of the source files?
Have u tried coping the material on completely new timeline and then exporting the seq?
Pratul Gaikwad
September 30, 2011 at 6:33 am in reply to: Adding new effects to the FCP effects library

dont know motion-4 but let me see if i can learn the part which is required to publish the effects to FCP..
Do i have any other option?
Pratul Gaikwad
August 13, 2011 at 3:38 pm in reply to: Handling 16mm and HD footage in same sequence

downconvert your HD footage to SD and work on a SD timeline so that all the footage will have the same format.

And if you are have the online process then, at the end of the edit, generate an edl- i guess here your work should end.

Now while doing the online confirmation, conformist will reconnect 16mm footage to your 16mm SD footage from tape and HD footage from XDCAM to downconverted (HD to SD) SD footage.
Pratul Gaikwad
August 9, 2011 at 11:10 am in reply to: How to convert 29.97fps rate to 25fps?

john.. in this scenario what if answer t your questions is ‘YES’. I interested to know how to deal with the synced sound when you have to convert footage from 29.97fps to 25fps.
What is the best method to work around the sound when dealing with the frame conversion?
Pratul Gaikwad
July 2, 2011 at 1:55 pm in reply to: Consolidate/merge/render soundbites FCP7

bob i couldnt get what exactly the problem is.
Basically OMF files do not have anything to do with the video effects or for that matter videos at all.
If you know the exact places where the problem is arising, then see the audio format of those audio files.
Which software you are using?
there are two types of OMF files OMF1.0 and OMF2.0, see which one suits for you.
Pratul Gaikwad
July 2, 2011 at 1:46 pm in reply to: Multiclipping with different frame sizes

which software you are using to convert ProRes into a PAL 720×576?
Pratul Gaikwad
July 2, 2011 at 1:44 pm in reply to: How to reconform to original R3D’s after working with ProRes422 proxies

michael, you dont need to assemble the native R3D files by yourself. You should generate an EDL and send the native R3D footage along with EDL to the colorist. He will confirm the R3d files according to your EDL.
If you have any time code issues then look for the clips where this problem is coming.
Pratul Gaikwad
June 21, 2011 at 5:16 pm in reply to: FCP EDL generates with an extra frame

dave and Bouke , thank you very much for quick reply. I hope everything will fall right at the confirm and DI.
Pratul Gaikwad
June 21, 2011 at 5:15 pm in reply to: FCP EDL generates with an extra frame

dave and Bouke , thank you very much for quick reply. I hope everything will fall right at the confirm and DI.
Pratul Gaikwad
September 25, 2010 at 1:55 pm in reply to: Major Import problems

i assume that you are using AutoDuck for the export. If you export the timeline you will get an option where in you can choose in which format you want to export the media, an AAF with MXF format should work on MC 5. Recently I have transfered some HD proj from FCP to AVID and this works for me.

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