Phocas Kroon
Forum Replies Created
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I do’nt know but indeed my card has 6 seperate outputs (loudspeker level). Is your card listed by Adobe?
Phocas Kroon
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First make the rolling title and adjust the speed of the title by adjusting the length of the title in the timeline.
If you want a clip as background of the rolling title, put this on track 1 and the title on track 2. Cut the clip at the end of the title and make a still of the last frame of the clip.
Place the still after the clip and adjust the length of the still.
Don’t forget Flicker removal (right click on the still in the timeline, select Field options and select Flicker Removal)Good luck
Phocas Kroon
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Do a simple test in Audition.
Put a 1000Hz tone after each other in 6 different tracks.
Open the multichannel decoder window (View>Multichannel decoder)
Assign each track to a different loudspeaker.
Click on ‘play all’
Now you have to see in the volumemeters of this window that the tones will be dispayed after each other in the different tracks.If you do’nt hear the tones in the different loudspeakers something is wrong with the soundcard system or settings.
My soundcard is a Realtek 6 channel card.
This is displayed under Preview device in the multichannel decoder window and is selectable.Please let me know how far this test is working for you.
Phocas Kroon
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You have to check and tweek the sound in Adobe Audition first.
Search in Help of Audition on “5.1 output”
You can see the outputmeters of each channel durin preview. If you cannot hear f.e. the speakers in the back, something is wrong with your soundcard, soundcard settings or loudpreaker cables.Good luck
Phocas Kroon
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Maybe you can capture the video and put it on the timeline.
Play the timeline and record the sound of the mic.Good luck
Phocas Kroon
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The workflow I used: Import the wav files in a multichannel session of Audition. Export as one interleaved 6-channel wave file Import the interleaved file in Premiere Pro. Create an empty surround track in the timeline and put the interleaved file on this track. Export the sound for the DVD as follows: File>Export>Adobe Media Encoder Export settings: MPEG2, export video not selected, export audio selected. Audio tab: Dolby digital, codec: surcode for dolby digital (You can use surcode 3 times for free.) The 5.1 audiotrack will be converted to an AC-3 surround file for DVD. Add this file to the MPEG2 video in Adobe Encore DVD.
Good luck Phocas Kroon
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Use a number in the name of the clip.
Good luck
Phocas Kroon
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If you need no animated mask you can export one frame and draw the mask with the pen in Photoshop and import the mask again in Premiere.
Good luck
Phocas Kroon
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If you have the text available in f.e. Word, you can copy/paste the text into the titler.
Phocas Kroon
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My workflow if I have so much material: Edit first on paper
– Make a shotlist in a spreasheet including timecodes
– Assign a moviechapter name to each shot (or group of shots)
– Sort the sheet on chaptername
– Number the shots in each chapter in edit order
– Sort on Chaptername and edit order to create an editlist
– Check if the editlist is OK
– Sort the editlist back to capturelist
– Capture only the shots with an edit number and include the number
in the clipname
– In the project window all clips are sorted on clipname in the right
edit orderIt looks time consuming but capturing 30 hours, off-line edtiting
and then again capturing and editing is maybe more timeconsuming.
If you need during editing not captured material, you can find it very easy on your shotlist to capture yet.
Good luck
Phocas Kroon