Philippe Orlando
Forum Replies Created
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Thanks for your answer. Common sense tells me the same thing, but in this land where everybody sues everybody I just need to know. But what you says is what I thought, but like yours, my thoughts are not legal truth
Phil -
Sure, I could use a DAT
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I’m starting to be a little concerned about the audio capabilities of those HDV cams, that’s why I’m still considering the DVX100B
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OK. Both your advice seem right to me. And since I’ve seen what the DVX can do, in November, agreed in the hand of a good DP, I think I’ll go this way since it’s been battle proof. And now it can be bought for $2500, which is amazing for that cam
P. -
No, you didnt’ forget anything, thanks a lot.
Now, for 500 more bucks I could get a Canon Xh-A1. What do you think? Is it worth the pain? -
OK, now what if I have a couple of scenes, each of them 3 minutes long that are shot in interlaced. Should I try to deinterlace them and mix them with the footage from the DVX or should I reshoot? Reshooting is a problem, as far as actors availability, but in the worse scenario I could.
Is it worth bothering about shooting 16×9? In the remote possibility of a blow up to film I should try to secure 16×9, right? And in the case of the DVX it’d be using an anamorphic adapter, right? Is there a decent one out there that doesn’t have too much barrel distortion?
Thanks
Phil -
Ok.
What is a decent anamorphic adapter for the DVX? -
Actually Rick, would you mind telling me what I see on this page? https://leaders.creativecow.net/leaders/amundson_rick/
Is is an anamorphic adapter on your DVX100?
The DVX has become so cheap now, I’m very tempted. I”m not convinced by HDV yet, well I don’t really have the means anyway.
Thanks
Phil -
Rick,
I watched the trailer, pretty neat. Nice look. Are you going to a blow up to film? Why the DVX and why not the Sony V1?
In other words, why not HDV or DVCPRO?
Still your production looks good. I see very good lighting.
Phil -
Got it, now it’s working.
ThanksPhil