Forum Replies Created

Page 6 of 21
  • Peter Tours

    October 12, 2011 at 6:44 pm in reply to: FCP 7 Pref Anomoly

    Not sure what you guys are seeing – when I download the image I see what I uploaded. It’s a find, but reflects what was in finder in the prefs folder. The red labeled item is the whole name of a pref file that should not exist on this planet as far as I know. The entry above the red labeled line is the normal pref file I would expect to see.

    If you don’t see that, let me know and I will send you the image. Thanks!

    Peter Tours
    TnT Video Services, Inc.
    Fort Lauderdale, FL

    TRI EA5 1974-1977
    Convergence ECS1B 1977-1979
    Sony BVE 500 1979 – 1984
    Datatron Vanguard 1984 – 1993
    GVG VPE141 1993 – 1998
    Media 100 1995 – 2006
    Final Cut Pro 2005 to infinity and beyond!

  • Peter Tours

    October 12, 2011 at 3:13 pm in reply to: FCP 7 Pref Anomoly

    I don’t understand. Did you look at the screen grab? Please explain. I understand prefs pretty well. Plse look at the screen grab.

    Peter Tours
    TnT Video Services, Inc.
    Fort Lauderdale, FL

    TRI EA5 1974-1977
    Convergence ECS1B 1977-1979
    Sony BVE 500 1979 – 1984
    Datatron Vanguard 1984 – 1993
    GVG VPE141 1993 – 1998
    Media 100 1995 – 2006
    Final Cut Pro 2005 to infinity and beyond!

  • Peter Tours

    August 12, 2011 at 8:03 pm in reply to: Color Matching – For Real?

    Oliver – if I already owned X I suppose it would be of help but you are of course correct about just using the 3way.

    Besides, everyone loves a 3way ;)~

    Peter Tours
    TnT Video Services, Inc.
    Fort Lauderdale, FL

    TRI EA5 1974-1977
    Convergence ECS1B 1977-1979
    Sony BVE 500 1979 – 1984
    Datatron Vanguard 1984 – 1993
    GVG VPE141 1993 – 1998
    Media 100 1995 – 2006
    Final Cut Pro 2005 to infinity and beyond!

  • Peter Tours

    August 12, 2011 at 4:43 pm in reply to: Color Matching – For Real?

    Oh this is rich – the DP says it’s happening in edit when the P2 files are ingested via the Duel Adaptor, which recently stopped working, like due to OS updates (10.5.8 used to work…).

    But I am trying to tell them, there’s no way it was the Duel or FCP or anything in post.

    The blame game never ends!

    Peter Tours
    TnT Video Services, Inc.
    Fort Lauderdale, FL

    TRI EA5 1974-1977
    Convergence ECS1B 1977-1979
    Sony BVE 500 1979 – 1984
    Datatron Vanguard 1984 – 1993
    GVG VPE141 1993 – 1998
    Media 100 1995 – 2006
    Final Cut Pro 2005 to infinity and beyond!

  • Peter Tours

    August 12, 2011 at 4:43 pm in reply to: HPX500 Training?

    Oh this is rich – the DP says it’s happening in edit when the P2 files are ingested via the Duel Adaptor, which recently stopped working, like due to OS updates (10.5.8 used to work…).

    But I am trying to tell them, there’s no way it was the Duel or FCP or anything in post.

    The blame game never ends!

    Peter Tours
    TnT Video Services, Inc.
    Fort Lauderdale, FL

    TRI EA5 1974-1977
    Convergence ECS1B 1977-1979
    Sony BVE 500 1979 – 1984
    Datatron Vanguard 1984 – 1993
    GVG VPE141 1993 – 1998
    Media 100 1995 – 2006
    Final Cut Pro 2005 to infinity and beyond!

  • Peter Tours

    August 11, 2011 at 11:55 pm in reply to: Color Matching – For Real?

    Oliver – I just created a new guest pass for you https://flickr.com/gp/52396929@N08/88328A/

    thanks for your input, peter

    Peter Tours
    TnT Video Services, Inc.
    Fort Lauderdale, FL

    TRI EA5 1974-1977
    Convergence ECS1B 1977-1979
    Sony BVE 500 1979 – 1984
    Datatron Vanguard 1984 – 1993
    GVG VPE141 1993 – 1998
    Media 100 1995 – 2006
    Final Cut Pro 2005 to infinity and beyond!

  • Peter Tours

    August 11, 2011 at 7:44 pm in reply to: Color Matching – For Real?

    David – I have heard a lot about Colorista. But in mid-project I obviously cannot put demo apps into it…and the cost is a bit much for me right now. But clearly I will have more opportunities to try it with our DP.

    Peter Tours
    TnT Video Services, Inc.
    Fort Lauderdale, FL

    TRI EA5 1974-1977
    Convergence ECS1B 1977-1979
    Sony BVE 500 1979 – 1984
    Datatron Vanguard 1984 – 1993
    GVG VPE141 1993 – 1998
    Media 100 1995 – 2006
    Final Cut Pro 2005 to infinity and beyond!

  • Peter Tours

    August 11, 2011 at 7:23 pm in reply to: Color Matching – For Real?

    The previous post about proc amp knobs refers to Color

    Peter Tours
    TnT Video Services, Inc.
    Fort Lauderdale, FL

    TRI EA5 1974-1977
    Convergence ECS1B 1977-1979
    Sony BVE 500 1979 – 1984
    Datatron Vanguard 1984 – 1993
    GVG VPE141 1993 – 1998
    Media 100 1995 – 2006
    Final Cut Pro 2005 to infinity and beyond!

  • Peter Tours

    August 11, 2011 at 7:21 pm in reply to: Color Matching – For Real?

    Color matching looks great on the X website. Figured it had to be too good to be true. More prosumer toys.

    Peter Tours
    TnT Video Services, Inc.
    Fort Lauderdale, FL

    TRI EA5 1974-1977
    Convergence ECS1B 1977-1979
    Sony BVE 500 1979 – 1984
    Datatron Vanguard 1984 – 1993
    GVG VPE141 1993 – 1998
    Media 100 1995 – 2006
    Final Cut Pro 2005 to infinity and beyond!

  • Peter Tours

    August 11, 2011 at 7:20 pm in reply to: Color Matching – For Real?

    Like turning so many proc amp buttons on the TBC but with more control. Been there, done that, but the deconstruction and reconstruction of lengthy multilayer, texted shows is a nonstarter. Back to the 3way.

    Peter Tours
    TnT Video Services, Inc.
    Fort Lauderdale, FL

    TRI EA5 1974-1977
    Convergence ECS1B 1977-1979
    Sony BVE 500 1979 – 1984
    Datatron Vanguard 1984 – 1993
    GVG VPE141 1993 – 1998
    Media 100 1995 – 2006
    Final Cut Pro 2005 to infinity and beyond!

Page 6 of 21

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