[Peter Garaway]

Hi David,

This feature is if you have a nested sequence and you hit ‘F’ to match the frame this will show the match frame of the nested sequence in the Source Monitor. If you hit the ‘F’ key again this will then show you the source file.

Give it a try. It’s pretty cool!

Peter Garaway
Adobe
Premiere Pro

[Peter Garaway]

Does this happen if you follow the same steps in another sequence or how about another new project?

Peter Garaway
Adobe
Premiere Pro

[Peter Garaway]

Don’t want to hijack this thread but I thought I should let you know Chris what the Engineer looking at this said. You can PM if you have questions.

This is in response to your 23.98 DV codec quicktime files.

This is intentional. DV 24p really is 29.97 fps, not 23.976. Or rather, it’s both. 3:2 or 2:3:3:2 (Premiere/AME does the latter) pulldown is added to bring the 23.976fps material up to 29.97. Advanced programs like Premiere, After Effects, AME, etc can detect and optionally remove the pulldown, turning the material back into 24 fps progressive video. In Premiere/AME, you can keep or remove the pulldown in the Interpret Footage dialog using the “Remove 24p DV Pulldown” checkbox. If the box is checked, the material will be interpreted as progressive 23.976. Simpler programs such as QuickTime Player that don’t understand 24p pulldown will interpret the material as 29.97.

Peter Garaway
Adobe
Premiere Pro

[Peter Garaway]

Hey Chris,

Yes the multi-camera bug was address in 7.0.1.

Unfortunately the AME QuickTime DV 23.976 didn’t make it into 7.0.1 but we are working on it.

Peter Garaway
Adobe
Premiere Pro

[Peter Garaway]

Yes sorry. I was just listing the 1080p formats because that’s what he’s using. The entire list is:

1080i50, 1080i59.94, 1080i60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 720p50, 720p59.94 and 720p60.

Peter Garaway
Adobe
Premiere Pro

[Peter Garaway]

Yes. The Intensity Pro should be able to output to the following formats:
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30

As long as your monitor supports it there should be no problems.

Peter Garaway
Adobe
Premiere Pro

[Peter Garaway]

Hi Nick,

I haven’t heard of this problem before. Have you tried using the Lumetri effects in different sequences or in a new Project? Same results?

Have you tried clearing your prefs?

Peter Garaway
Adobe
Premiere Pro

[Peter Garaway]

Yes no ProRes preset in Premiere Pro CC. You can create your own ProRes preset though:)

Peter Garaway
Adobe
Premiere Pro

[Peter Garaway]

Ah sorry I get what your saying.

With the project that you have I don’t see any disadvantage. Your workflow may take a extra click or 2 but that’s all I can think of.

Peter Garaway
Adobe
Premiere Pro

[Peter Garaway]

Hi Andy,

Check out this video tutorial showing the Multi-Camera workflow in Premiere Pro CC.

https://tv.adobe.com/watch/learn-premiere-pro-cc/using-multicam-mode-to-autosync-multiple-angles-or-takes/

Peter Garaway
Adobe
Premiere Pro