Pepijn Klijs
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JC: The biggest bug I encounter is my reference monitor going out. If I hit play or try to change clips after it drops, its all over.
Sounds more like a hardware or driver related problem than a software bug. Im not saying this to defend anything or disagree, more like, to help looking in another direction. I’ve subscribed to this forum for over one year and I haven’t read about this ‘bug’ that I can remember. Hope you’ll find and solve it soon, cause it sounds like nightmare.
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
[Michael Hancock] “Even faster – map Subclip to your keyboard and you can do it with a keystroke. When you Subclip a sequence it makes a subsequence.”
Definetily faster, but if you are organizng into several open bins the alt-drag way is faster cuz you drag it right into the right bin.
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
My workflow really depends on what project I’m doing, so it’s hard to describe it here. But I did read your workflow and maybe have some usefull tips.
Having multiple sequences open like in FCP isn’t possible, but I think the same can be achieved with using bins and (sub) sequences. In avid you can load any sequence into the source monitor and cut into another sequence while maintaining full flexibility regarding track selection etc. I find this way faster than the ‘copy and paste’ method you’d use having multiple seq’s open in FCP. On the bottom of the timeline window is a little toggle that let’s you view your source monitor content as a timeline. This is helpfull for cutting from one complex timeline into another. Pressing a and s will move between cuts if a sequence is loaded in the source monitor.
I’ve never used titles to name my selections. I prefer working with locators as they ‘travel’ thru the process and you can use the locator tool to easily view and navigate between them.
Last little hint. Mark a selection on your timeline with an in and out point, hold down alt and drag the image from the record monitor to a bin will give you a sub sequence. It’s a fast way of organizing topics.
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
Im not at work right now so I can’t be too specific, but the way I do inserts is by marking the section I want in my timeline and use the digital cut tool without marking in and out points there in the tool. If you hover over the record button it will tell you what its going to do.
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
Where does your master tc of your sequence start?
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
Doesnt resolve disable the embedded audio automatically when using a chase track?
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
I think you can also re-import the same xml and uncheck ‘use sizing’ in the import menu.
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
I tend to think the opposite. At least you can still stare at your image and maybe discuss things while saving, without something blocking your view on the monitor. But I guess it’s personal preference and it would be nice for people like you to have it as an option.
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
How I would do it. Have both timelines open and switch between them. Select your pieces using in and out point with all tracks selected. Hit copy, go to other sequence and hit paste. Now take out the video you dont want anymore.
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
Ok, not to insult, just to rule out: did you refresh your folder in de media page?
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl