Paul Nevison
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hi walter
where are you uploading the podcast? podcast section on the cow or itunes?
thanks look forward to hearing it
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PAL Land -
ask to speak to someone in executive relations….they tend to be very helpful…the first tier at the call centre just follow the flip chart.
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thanks Jim
turns out there is a little layer switch toggle in the lower left hand corner of timeline….that was the problem.
thanks
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thanks Graeme….now get back into your cave and work your magic on that awesome RED camera for us 🙂
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the mantra reads “Apple do not speak of unannounced products” so no one knows for sure.
but what i would say is that the studio suite is due for a refresh – especially now that the intel switch is completed and resources can go back to app development.
i think it is interesting that the official apple NAB invite borrows the final cut studio artwork….so to me that’s at least a little hint as to what is being announced.
we shall all know in a couple of weeks time.
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I have a feeling that MPEG 2 files are locked to standard 720×480 NTSC or 720×576 PAL. I dont think MPEG2 supports custom sizes it’s a restricion of the codec, that’s what i’ve found when using cleaner anyway.
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Paul Nevison
March 10, 2007 at 1:16 pm in reply to: Jaggie Graphics and XDCAM HD HQ 35 FCP sequences?hey Nate,
are you refering to cutting in a 4:2:0 sequence for the cut, then copying adding graphics and rerendering in an uncompressed sequence?
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Hi Wayne,
sorry it’s more of a question in theory. We are 90% of the way in going with XDCAM HD as our aquisition format and I just had the thought about the graphics when i was considering the 4:2:0 colourspace. DV has issues with graphics and text because of the 4:1:1 colour space and was curious to see whether XDCAM had the same issues or whether the 35mbs made this a non issue.
thanks
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thanks walter,
just as i feared!!! But you can’t stop progress right?
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Hey guys
thanks for the responses. I don’t think i was clear enough in my initial post. I’m actually looking for a field monitor as opposed to a studio monior. something small, handheld, battery powered, that can be used in the field – either run and gun or set pieces in studio. it’s really just so as a director i can see the shots and direct the shooters i work with better.
thanks
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