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Turn off your 3rd party I/O using the cogs icon in the timeline. 1440 isn’t supported with 3rd party I/O active. You should then get that raster option.
Pat Horridge
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Pat Horridge
August 7, 2015 at 8:07 am in reply to: Relinking to AMA for colour correction in Media Composer – preferred workflow?You can’t batch import content that was originally AMA linked. You need to re AMA link the needed sources. (Copy of seq in a fresh empty bin. Bin Display. Show media relatives. Then have source oath column active and sort by that. You then have a location list you need to AMA in.)
Relink seq to AMA sources. May happen automatically. Transcode to finishing resolution.
Grade etc.
Shame to send to Premiere and flatten the sequence.Pat Horridge
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It’s not a spanned clip is it?
The rest of the clip maybe on a different card?Pat Horridge
Technical Director, Trainer, Avid Certified Instructor
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VET
Production Editing Digital Media Design DVD
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http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US -
Renaming clips in Avid has no negative impact. Clip names are user information fields.
The simple fix is to batch import the sequence. Make sure to tick the bottom tick box to use current settings and then set the settings to the resolution you want.
It will be slower and have to bring in all the sources used not just parts of them. This is why importing is such a legacy process. AMAing the sources at the start was the way to go. Relinking may work or you may just spend days going in circles.Pat Horridge
Technical Director, Trainer, Avid Certified Instructor
Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
VET
Production Editing Digital Media Design DVD
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http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US -
Send it all to recycling. Seriously tech that old beeds an experienced hand to manage. And to be honest its just too far past sell by. I bet the 6 drives are all SCSI and if lucky you have 50GB storage. Thats nothing nowadays.
An HPZ400 used plus monthly MC subscription will give you far more for not much outlay.Pat Horridge
Technical Director, Trainer, Avid Certified Instructor
Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
VET
Production Editing Digital Media Design DVD
T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US -
Madness to try and work direct online with that much media.
Sounds like no post production plan exists.
Thats like making a car journey with no map!There needs to be a plan. How is the finishing beibg done? Is it 4K output (unlikely if sources are 4K)
Almost inevitable an offline workflow needed. So transcoding of media needed.
Once at offline quality you can dupe media easily if shared storage isn’t viable.Pat Horridge
Technical Director, Trainer, Avid Certified Instructor
Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
VET
Production Editing Digital Media Design DVD
T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US -
No question yet more work will move onro resolve. But its still not got tge ribust media management a lot of editing work needs.
Pat Horridge
Technical Director, Trainer, Avid Certified Instructor
Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
VET
Production Editing Digital Media Design DVD
T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US -
In most countries its an offence to “rip” DVD or bluray content and the license that is used during replication of DVD & Bluray masters even prohibits the copyright owners from breaching the copy protection.
So as a facility or a business if you go that root you have to be aware that nobody can grant authority to rip a DVD or bluray. You will be committing an offence.As others have said the massive data compression used also makes DVDs very poor as sources for finished content which will suffer even more when it’s compressed again later.
Always go back to a proper master.Pat Horridge
Technical Director, Trainer, Avid Certified Instructor
Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
VET
Production Editing Digital Media Design DVD
T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US -
Isn’t that what you need?
A multicam clip is made up of separate camera master clips.
Apply a colour correction to one part of that masterclip and it should be applied to all?Pat Horridge
Technical Director, Trainer, Avid Certified Instructor
Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
VET
Production Editing Digital Media Design DVD
T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US -
Pat Horridge
June 15, 2015 at 8:06 am in reply to: Premiere Pro: Nonsmooth Dissolve Transitions, Why is That?Are the clips from a longer piece of material?
Sounds like your clips arent seperate.
The disolve needs additional frames after the end and additional frames before the start.
To fix trim the end of the first clip back half the disolve duration. Then trim the start of the second clip the same amount.Pat Horridge
Technical Director, Trainer, Avid Certified Instructor
Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
VET
Production Editing Digital Media Design DVD
T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US