[Olivier Prudhomme]

“You have to “open” the multicam clip (right click on the multicam in the browser window “…..
Did you mean “sequence”?
THere aren’t any “multicam clips”… Clips are indenpendant and I have dozens of clips in this multicam sequence.

Los Angeles – TV Promo Editor – Ppro – AVID

[Olivier Prudhomme]

You got it!!!
Oh my I should have posted while dealing with the crises…. would have saved me hours of work!!!

Los Angeles – TV Promo Editor – Ppro – AVID

[Olivier Prudhomme]

Oh I see… So pretty much I expose so I am not hitting my camera’s high ISO and then in post I’ll adjust.
Makes sense.
Thx

Los Angeles – TV Promo Editor – FCP – AVID

[Olivier Prudhomme]

great!

Los Angeles – TV Promo Editor – FCP – AVID

[Olivier Prudhomme]

Shane, Todd and Ross thanks a lot.
A lot of info to digest but very good stuff

Los Angeles – TV Promo Editor – FCP – AVID

[Olivier Prudhomme]

I should have been clearer.
I was trying to figure out the equivalence (hence the = sign) between NTSC and PAL.

So basically it is useless to try to find equivalence because in fact they are 2 different system requiring 2 different type of cameras.

Los Angeles – TV Promo Editor – FCP – AVID

[Olivier Prudhomme]

It helps Shane. Thx

Still some confusion though…

Now I get that 23.97NTSC = 25PAL

But doesn’t 29.97p also = 25pPAL

Now for interlaced.
We often refer to “29.97i”…. which in fact should be 59.94i since it has 2 fields/sec, right?
If I am right then 29.97i NTSC is 59.94i NTSC = 50i PAL, right?

Los Angeles – TV Promo Editor – FCP – AVID

[Olivier Prudhomme]

Thanks Shane as usual, priceless info!

Los Angeles – TV Promo Editor – FCP – AVID

[Olivier Prudhomme]

PM me an offer.
I’ll trade actually.
I need video gear: Aputure 120D, Rhino EVO slider

Los Angeles – TV Promo Editor – FCP – AVID

[Olivier Prudhomme]

so Shane how did you get your monitor properly calibrated?

Los Angeles – TV Promo Editor – FCP – AVID