[Olivier Prudhomme]

Quincy it is! 🙂

Very interesting explanation.

I am exploring changing the fields so they all match at least, between the sequence settings and the export.

I wil also check out the links you shared.

I sincerely appreciate the time you spent sharing your knowledge

Best

[Olivier Prudhomme]

Hey Mad

I can’t share a clip because it is work material

The original file plays well: in QuickTime, in the source monitor and in the sequence.

It is only after I export that this happens

The specs are our delivery specs and they always work fine for other episodes of that show and other shows, all SD

[Olivier Prudhomme]

well… i tried again, with a jpg, only 1mb… and it failed.

Los Angeles – TV Promo Editor – Ppro – AVID

[Olivier Prudhomme]

Creativecow limitations.. Uploads don’t see to be working for me…
Well….
It’s a “commercial” for a diet supplement.
I want nice “fresh”, even lit, bright
Only one teacher and 3 students so the establishing wide won’t be more than 20 feet wide. The rest is full body, medium and CU.
Never pointing at the windows which I’ll block anyway.
My plan so far is to have the S60 as a key through diffusion and on opposite side a fill with another S60 on ultrabounce.
But i get it… without seeing anything waht can you do?! ☺

Love Creativecow and can’t blame them to do this for free…. so I won’t be mad i can’t upload pictures ☺

Thanks for trying Mark

Los Angeles – TV Promo Editor – Ppro – AVID

[Olivier Prudhomme]

Image upload isn’t working.
Hopefully this link does…
https://www.peerspace.com/pages/listings/59e038df6bffdd7c004bb1f1

thanks!

Los Angeles – TV Promo Editor – Ppro – AVID

[Olivier Prudhomme]

[Rick Wise] “The meter I suggested costs $219. check eBay for used ones for even less. Also at times B&H and Adorama will have a used one.
awesome

if you’re just beginning, maybe worth measuring to help train your eye. I suggest you light so the “ratio” looks good.
actually not beginning but wanting to have more control to really shape lighting to achieve very specific goals

If you’re lighting a large scene, you will save tons of time with a meter because you can dial in the light intensity quickly on each unit. If the key in position A is f/2.8, then in general you will want the keys in all the other positions to also be at f/2.8. Etc. “

great info. Thx!

Los Angeles – TV Promo Editor – Ppro – AVID

[Olivier Prudhomme]

[john sharaf] “You don’t really need it for setting exposure”

Alright, I like the answer.
My question wasn’t well put. I meant using a meter to shape light, hence you have proper exposure.
Because unless you have a few decades of experience, I don’t see how you can shape light with precise rations 2:1, 8:1 etc.

Any recommendations on a meter? For indie filmmaking, so very budget concerned 🙂

Los Angeles – TV Promo Editor – Ppro – AVID

[Olivier Prudhomme]

Alright, I like the answer.
My question wasn’t well put. I meant using a meter to shape light, hence you have proper exposure.
Because unless you have a few decades of experience, I don’t see how you can shape light with precise rations 2:1, 8:1 etc.

Any recommendations on a meter? For indie filmmaking, so very budget concerned 🙂

Los Angeles – TV Promo Editor – Ppro – AVID

[Olivier Prudhomme]

maybe it is because I didn’t create it in Ppro… I imported xml from PlurelEyes, open the sequence and nested it, then enabled Multicam in the timeline.
I guess Ppro doesn’t see it as Multicam sequence even though the icon looks like one…

Los Angeles – TV Promo Editor – Ppro – AVID

[Olivier Prudhomme]

talking about premiere pro?
Right clicking / open in timeline… opens the multicam sequence as a multicam…
Have you tested this before?

Los Angeles – TV Promo Editor – Ppro – AVID