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Olivier Prudhomme
September 24, 2018 at 5:23 pm in reply to: Should I keep my pro broadcast monitor?

ahaha
You read too quickly: It’s either I keep it OR I sell it and buy gear with it.
I do realize the value of this thing!

Los Angeles – TV Promo Editor – FCP – AVID
Olivier Prudhomme
September 24, 2018 at 2:37 pm in reply to: Should I keep my pro broadcast monitor?

It is this monitor https://www.bhphotovideo.com/c/product/739821-REG/Ikegami_HLM_2450WB_HLM_2450WB_Multi_Format_LCD_Monitor.html

I understand what you’re saying about quality.
What I also have to consider is getting this thing professionally calibrated, which isn’t cheap otherwise what’s the point of having it. But I’ve edited in so many places with pro broadcast monitors that hadn’t been cadjusted in years, if ever.

Los Angeles – TV Promo Editor – FCP – AVID
Olivier Prudhomme
September 18, 2018 at 11:36 pm in reply to: How to fine tune tripod height?

yeah that’s what i’ve been doing…
Removing the camera…. maybe… but with all the gear/cables hooked up….

Los Angeles – TV Promo Editor – FCP – AVID
Olivier Prudhomme
September 17, 2018 at 5:17 pm in reply to: How to fine tune tripod height?

thx for the tip

Los Angeles – TV Promo Editor – FCP – AVID
Olivier Prudhomme
May 23, 2018 at 10:46 pm in reply to: H4n: why do i have to push Level at 100?

Great info, thx Tristan

Los Angeles – TV Promo Editor – FCP – AVID
Olivier Prudhomme
May 4, 2018 at 5:01 pm in reply to: Proxies Attached: but still linked to 4K in fact..

the strange thing is that when I chose REVEAL IN FINDER, it should point to the prores …
But I realize my workflow might be the reason I’m having issues.
I am working unsing XML to go from one system to the other (not running the same version of PPro)
And as you know Ppro brings in “new” media files everytime you import an XML file so I end up with several copies of the same media files and sometimes I might not Reattach the file that is used in the sequence…

Thx Paul

Los Angeles – TV Promo Editor – FCP – AVID
Olivier Prudhomme
May 4, 2018 at 3:12 am in reply to: Proxies Attached: but still linked to 4K in fact..

Thanks Ann and Paul. Unfortunately it doesn’t help.
I still have to manually to the correct folder….
However it’s not too too bad as I can do batch reconnect…

Los Angeles – TV Promo Editor – FCP – AVID
Olivier Prudhomme
April 4, 2018 at 2:18 am in reply to: H4n: why do i have to push Level at 100?

should have checked the message alert to see someone was helping ! ☺

Using the XLR inputs with lav and boom…
Recording lav on track 1 and boom on 2

Los Angeles – TV Promo Editor – FCP – AVID
Olivier Prudhomme
December 18, 2017 at 11:39 pm in reply to: Non Drop Frame footage in Drop Frame timeline: is it ok?

[Dave LaRonde] “Who uses NDF for program-length material? That’s just weird.
“

Thanks for pointing this out. It made me look at the shows and you’re right, 99% come in DF.
So why did we ever delivered NDF?…. Mistery because, correct me if I am wrong, but DF is pretty much the norm for broadcast right?

Los Angeles – TV Promo Editor – FCP – AVID
Olivier Prudhomme
December 18, 2017 at 11:22 pm in reply to: Non Drop Frame footage in Drop Frame timeline: is it ok?

[Shane Ross] “If you need to deliver the promos as NDF, why are you using a DF timeline? “

Shows come in NDF from production companies.
We have to deliver the promos to the network in DF.

Los Angeles – TV Promo Editor – FCP – AVID

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