That was true with codecs such as DVCPROHD, which were not the long-GOP formats which are much more prevalent today. If you wanted to ingest a section of say a GoPro clip- you’d be de-compressing and recompressing and losing a generation of your already highly compressed footage before you even started editing.
That vs. copying the entire clip onto your drive and only losing a single generation when you go to export the final timeline which is what the FCPX import window does.
So it’s not really the import process that changed so much as it is the formats that are being ingested.
Noah
FCPWORKS – FCPX Workflow
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