Forum Replies Created

Page 73 of 186
  • Nick Meyers

    February 19, 2014 at 9:39 am in reply to: FBC 7 timeline has been changed into something strange

    it’s a Clip Keyframes issue.
    must have hit Option T by mistake

    nick

  • Nick Meyers

    February 17, 2014 at 9:44 am in reply to: Problems reconnecting media

    i wonder if your browser files actually reconnected, or are they still 4444?

    “If I ßm trying to drag down a file from the browser to the timeline it first shows 6 audiotracks, but then only two are put in the timeline.”

    how many tracks in your timeline?
    how many of your timeline tracks are targeted?

    a simpler approach may have been to use FCP’s media manager to simply recompress your project’s media.
    not too late for that.

    nick

  • Nick Meyers

    February 17, 2014 at 9:30 am in reply to: Does the FCP 7 have true 24p sequence ?

    in the FCP A/V Settings, sequence preset page,
    duplicate that 24p preset, and edit it so the frame rate is 24

    nick

  • Nick Meyers

    February 13, 2014 at 12:13 am in reply to: Canvas window suddenly very dark

    the new operating system, i guess.

  • Nick Meyers

    February 11, 2014 at 8:42 am in reply to: photoshop file squeezed when imported into fcp7

    if your PSD has a transparent background, then FCP gets confused.
    it uses, or sees only the outermost pixels, and squishes the image to fit them.

    one trick is to put a single pixel in each of the four corners of your PSD.
    another might be to add a new layer of solid colour,
    then in FCP delete it.

    nick

  • Nick Meyers

    February 11, 2014 at 8:37 am in reply to: Annoying screen behavior

    go to your Computer’s System Preferences (look under the Apple Menu)

    go to MIssion Control, or Expose on older systems,
    find Hot Corners, and turn them all off.

    nick

  • Nick Meyers

    February 8, 2014 at 11:29 pm in reply to: Exported sequence doesn’t match timeline clips!!

    If your same-settings export is fine, just convert that to h264 using QuickTime player pro or compressor.

  • Nick Meyers

    February 3, 2014 at 10:28 pm in reply to: Automating timeline setup for multicam edits

    rather than drag to the timeline, drag to the canvas, and drop in the Superimpose window.
    OR double click into the viewer, and use F12 to superimpose.

    i think if you start with angle 1 on V1, then superimpose 12, 11, 10, 9 etc you will get the layout you want.

    you should probably give Pluraleyes a go,
    or better, FCPX, which has a similar function built in.

    nick

  • Nick Meyers

    February 2, 2014 at 12:43 pm in reply to: Firewire daisy chain

    “Prores? Nope. Won’t happen with firewire and ONE connection,”

    well it really does depend on the type of media
    i tend to work with ProResLT, 1080 or 720p
    FW800 handles that with no problems at all

    the last big documentary i worked on we had 5 FW drives daisy chained
    media was HDV, so relatively low throughput.

    i havent noticed more drives making for significantly slower drives.

    nick

  • Nick Meyers

    January 28, 2014 at 10:50 am in reply to: Re-editing delivery materials

    so you are wanting to edit an AVI in FCP?
    while possible it can be painful.

    what is the format of your master?
    codec, frame size frame rate.

    nick

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