Forum Replies Created

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  • Nick Hrycyk

    June 1, 2008 at 10:07 pm in reply to: Interesting/Frustrating 48 hours

    BDMV and Certificate, no AACS. Any clue as to what to try?

    Nick Hrycyk
    Digital Image Studios

  • Had the same message, only the PC version of it. “Port 1 is in use by another program”, after a recent upgrade to MC 2.8.3! After several hours of trying to track down what “program” was the culprit, finally discovered it was the MC software itself. Don’t remember the exact setting name, (can find out when in front of box in several hours) but in the settings check the one that allows the Avid to be controlled remotely by another system or tape machine. It turns out this somehow was assigned to the port (maybe as a default) after the upgrade. Reset to no port assigned, relaunched, all systems go.

    Nick Hrycyk
    Digital Image Studios

  • Nick Hrycyk

    February 6, 2008 at 11:49 am in reply to: DigiBeta Best Practices?

    One argument for leaving machines in unity, revisions! If you do your CC in the NLE, when it comes time to re-digitize for that inevitable revision 6 months later you stand a fighting chance of “matching” video to the original master.

    Nick Hrycyk
    Digital Image Studios

  • Nick Hrycyk

    April 11, 2007 at 11:48 am in reply to: Batch Export from Avid

    You used to be able to batch export by draging and dropping. Try setting your project window to “Settings” select the saved export setting that you want to use, signified by the check mark in front of it. Go to your bin where the Sequences are located, highlite all that you want to export, drag them to your desktop/finder and drop them on the drive/folder you want to export them to, go have a smoke and a cup of coffee. You may have to resize your Avid app to get to the desktop before you start.

    Nick Hrycyk
    Digital Image Studios

  • Nick Hrycyk

    March 16, 2007 at 11:25 am in reply to: Export, Encode, to DVD?

    I have noticed encodes from a mixdown look different than encodes done from your sequence. Encodes from a mixdown only have the one file to deal with but when you encode from your sequence, your fade up is one file, scene 1 is another file, the dissolve between scene 1 and 2 is yet antother file, scene 2 still another file. Each of these files has its’ own beginning and end and the encoding treats it has such.

    Nick Hrycyk
    Digital Image Studios

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