Forum Replies Created

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  • Nick Anderson

    September 15, 2011 at 4:27 am in reply to: Resolve HDMI color contour issue.

    Hi, Kevin.

    1. The materials are from alexa and arriscanner, which is perfect when grading in other system.
    2. These shots are also perfect viewing in Resolve VIEWER on the DVI monitor, no contour at all.
    3. The projector is in normal mode, without any in projector process, and it’s directly connect to Decklink HDMI output.
    4. I tried to connect decklink HDMI output to a HDMI monitor, the contour is there.
    5. I don’t have any SDI device here to test.

    So, it can tell that the problem resides in the Resolve/Decklink system.
    As it should be a popular setup here and there, am I the only one got this issue?

    Nick

  • Nick Anderson

    September 15, 2011 at 1:38 am in reply to: VFX conform workflow

    hi, Tay.

    Does that means, a timeline will always conform JUST within the selected media pool folders when load the edl/XML?
    If so, that would be helpful.

    Nick

  • Nick Anderson

    September 10, 2011 at 5:07 pm in reply to: Can Lite projects be finished in the full version?

    Project export/import DO work from Lite to full version.

  • Nick Anderson

    August 31, 2011 at 11:43 am in reply to: Resolve 8 shortcut cheat sheet

    Thanks for this lovely thing!

  • Nick Anderson

    August 31, 2011 at 11:32 am in reply to: How to setup a conform workflow working with editor.

    Thank you, and that tip really helps. One step further, just select multiple shots, and re-assign the parent directory. Everything’s fine.

    Cheers

    Nick

  • Nick Anderson

    August 20, 2011 at 9:06 am in reply to: ASUS RoG MARS II

    GTX590 is out there for a while, which is in fact dual-GTX580.
    People are still working to make 5xx work on Lion, so cross the fingers…

  • Nick Anderson

    August 19, 2011 at 4:44 pm in reply to: How to assign Lut to selected shots

    I doubt if that kind of neat editors even exist around me. In fact, in the xml I got, there’s NO reelname for all the 5D and film neg materials…
    I guess I will call the assistant editor, ask her for some decent help…

  • Nick Anderson

    August 19, 2011 at 4:40 pm in reply to: How to assign Lut to selected shots

    For me personnally, I always believe start from somewhere as close as it could be to the “neutral and natural” point, is the rule for grading. So arri logc to film neg lut is absolutely needed b4 start real grading job. Which gives you natural saturation, which can’t achieve easily by grading.
    Of course I know colorists doesn’t even use a film look lut, and they manipulate log dpx as linear files, still they got good results on final prints. But that’s not my way.

  • Nick Anderson

    August 19, 2011 at 11:22 am in reply to: How to assign Lut to selected shots

    In fact, the only step you skipped is the one I really concern, that is how can I select/group those shots easily? around 1500 shots by alexa, 300 by 5D, and 600 by film neg…

  • Nick Anderson

    August 15, 2011 at 12:37 am in reply to: Adding Subtitle

    Thank u for ur detailed information.
    After some investigation, I guess annotation edit might not be the choice me, as for the functions it provides, the price is reasonable. But it’s far more than enough for me. I just need to render the subtitle to a QuickTime mov, I guess fcp can do that, right?

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