[Morten]

It doesn’t work that way. You do nou BUY the software – you license to use it.
Normally such a license cannot be transferred to another person…

– No Parking Production –

Adobe CC2014, 3 x MacPro, 3 x MbP, Ethernet File Server w. Areca ThunderRaid 8

[Morten]

Sorry for your loss. We’re all stuck with software expenses after condition changes. Guess it is part of the game ; p

– No Parking Production –

Adobe CC2014, 3 x MacPro, 3 x MbP, Ethernet File Server w. Areca ThunderRaid 8

[Morten]

But exchanging AE with Fusion is not quite as easy…

– No Parking Production –

Adobe CC2014, 3 x MacPro, 3 x MbP, Ethernet File Server w. Areca ThunderRaid 8

[Morten]

Guess my sarcasm wasn’t all too clear ; )

– No Parking Production –

Adobe CC2014, 3 x MacPro, 3 x MbP, Ethernet File Server w. Areca ThunderRaid 8

[Morten]

FCPX has the ever important, much needed, super essential … 3D text ; )

– No Parking Production –

Adobe CC2014, 3 x MacPro, 3 x MbP, Ethernet File Server w. Areca ThunderRaid 8

[Morten]

Did you use the Title tool or Caption tool to make the subtitles in Premiere?

I believe captions can be exported in a subtitle format, which could be brought into FCPX through third party plugins.

– No Parking Production –

Adobe CC2014, 3 x MacPro, 3 x MbP, Ethernet File Server w. Areca ThunderRaid 8

[Morten]

The old title tool had a lot of mischiefs:

1) If you did not place the cursor in the right position, you would have to quit and fix

2) Tools did not scale correct on highres screens, and were difficult to use

3) It would clutter up the project folder with a new asset for every title you made

4) Titles needed to be real duplicated, in order to not overwrite the original title (no copy paste)

5) It was slow

– No Parking Production –

Adobe CC2014, 3 x MacPro, 3 x MbP, Ethernet File Server w. Areca ThunderRaid 8

[Morten]

Actually this update for Premiere is huge!

– A completely rewritten text tool that lets you edit directly on the canvas like in Photoshop.

– After Effects templates (lower thirds etc) can be saved with editable parameters, so you can change colors, sizes, or whatever from within Premiere. Just like Motion templates, but with even more control, and can be shared through Libraries.

– simple tool for Audio sweetening, that retains the parameters if sent to Audition.

…just to name the most exciting.

– No Parking Production –

Adobe CC2014, 3 x MacPro, 3 x MbP, Ethernet File Server w. Areca ThunderRaid 8

[Morten]

Being unable to force relink is the reason I abandoned FCPX and fled to PrPro.
After accidentally opening some of the clips in AE, and even without making any changes – FCPX was unable to recognise these clips and cost me a days work to re-edit. So I trashed the toy.

– No Parking Production –

Adobe CC2014, 3 x MacPro, 3 x MbP, Ethernet File Server w. Areca ThunderRaid 8

[Morten]

Only works for clips in the bin, not in a sequence – which is why you can use Match Frame (F) to expose the original clip once again with in and out points as set in sequence. Only other way to eliminate one of the stereo channels is to use Fill Left or Fill Right audio filters.

– No Parking Production –

Adobe CC2014, 3 x MacPro, 3 x MbP, Ethernet File Server w. Areca ThunderRaid 8