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  • Morten

    April 20, 2017 at 5:57 pm

    Actually this update for Premiere is huge!

    – A completely rewritten text tool that lets you edit directly on the canvas like in Photoshop.

    – After Effects templates (lower thirds etc) can be saved with editable parameters, so you can change colors, sizes, or whatever from within Premiere. Just like Motion templates, but with even more control, and can be shared through Libraries.

    – simple tool for Audio sweetening, that retains the parameters if sent to Audition.

    …just to name the most exciting.

    – No Parking Production –

    Adobe CC2014, 3 x MacPro, 3 x MbP, Ethernet File Server w. Areca ThunderRaid 8

  • Jeremy Garchow

    April 20, 2017 at 9:55 pm

    One of the features I was really excited about for Ae, the Camera Shake Deblur, resulted in this:

    First impression = sad face

  • Richard Herd

    April 20, 2017 at 10:10 pm

    [Morten Ranmar] “Audio sweetening”

    Is the hard limiter back?

  • Michael Gissing

    April 20, 2017 at 11:04 pm

    [Jeremy Garchow] “First impression = sad face”

    Perfect if you are working on a 1970s vinyl record cover.

  • Bill Davis

    April 21, 2017 at 12:24 am

    Jeremy,

    I tried staring “through” that for over 5 minutes but I STILL can’t see the 3D camel…

    Am I doing it wrong?

    ; )

    Creator of XinTwo – https://www.xintwo.com
    The shortest path to FCP X mastery.

  • Robin S. kurz

    April 21, 2017 at 12:48 pm

    [Morten Ranmar] “Just like Motion templates, but with even more control”

    I’m sorry, but you clearly have no idea how deep FCP’s Motion integration in fact goes. The two couldn’t be any further from comparable. This is stuff you could do in FCP over five years ago. And then some. I won’t even mention performance.

    And the first I heard of this update was from the headline of a newsletter from Cinema5D that reads “Alert! Do Not Upgrade To Premiere Pro CC 2017.1” … ????

    – RK

    ____________________________________________________
    Deutsch? Hier gibt es ein umfassendes FCP X Training für dich!

  • Oliver Peters

    April 21, 2017 at 12:59 pm

    [Robin S. Kurz] “I’m sorry, but you clearly have no idea how deep FCP’s Motion integration in fact goes. “

    You mean like importing a multi-clip Motion composition directly into FCPX? Oh wait…

    Oliver

    Oliver Peters Post Production Services, LLC
    Orlando, FL
    http://www.oliverpeters.com

  • Robin S. kurz

    April 21, 2017 at 1:07 pm

    [Oliver Peters] “a multi-clip Motion composition”

    Er… what about it?

    – RK

    ____________________________________________________
    Deutsch? Hier gibt es ein umfassendes FCP X Training für dich!

  • Oliver Peters

    April 21, 2017 at 1:13 pm

    As in, you cannot directly import a multiclip Motion composition into FCPX. You can rig a complex template and bring that into X, but that’s hardly the same thing.

    Oliver

    Oliver Peters Post Production Services, LLC
    Orlando, FL
    http://www.oliverpeters.com

  • Robin S. kurz

    April 21, 2017 at 2:00 pm

    [Oliver Peters] “you cannot directly import a multiclip Motion composition into FCPX”

    Huh? Then I guess I have no clue what you even mean by “multiclip Motion composition“, because I can’t think of anything from Motion that you can’t get into FCP, sorry. Other than maybe a project with audio (meaning the project yes, it’s audio no).

    And even if whatever it is you mean can’t be done/used/imported, are you suggesting that that makes the integration of AE in PPro somehow on par?? ????

    – RK

    ____________________________________________________
    Deutsch? Hier gibt es ein umfassendes FCP X Training für dich!

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