Misha Aranyshev
Forum Replies Created
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Have you considered using LUT in your SDI signal path instead of applying Nick’s plugin?
As for metadata, timecode and reel are embedded in QT movie. My understanding is nobody really knows what to do with extra metadata from Alexa, except Gary Adcock maybe.
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[Michael Brassert] “Has 10.0.3 made it viable moving forward?”
An incremental update can’t fix a fundamentally flawed concept.
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[Bill Davis] “So that would indicate that it took at least 4 solid years of development IN APPLE (discounting the work done by the Macromedia team on KeyGrip before Ubillos and the team took it to Apple) before the software developed into something “Oscar level work worthy.””
Are we talking the features or the clout? ‘Cause regarding features FCP had the minimum required to cut a 35 mm project as soon as version 1.2.5 and was used to do it.
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[Bill Davis] “Premier has their switch discount in place again. Avid remains a safe and fully developed choice.
“Neither is as good as FCP7.
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[Bill Davis] “You find it difficult to one-click grab the audio level line and drag it down to “-96db”?”
I do find any click-hold-drag difficult. I find Ctrl-B easy.
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[Jeremy Garchow] “How so?”
With Ripple Tool. RR, V, U type in the number of frames
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[Jeremy Garchow] “You can slide a whole timeline by an exact number of frames/seconds/whatever simply by trimming the gap, instead of selecting everything to the right and left. “
It’s the same in FCP7
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[Bill Davis] “The “removed FCP7 from the shelves might have been nothing more or less than the patent license on some lines of internal code that Apple chose not to renew and which was set to expire.”
I’ve heard it mentioned a couple of times here on the COW. What lines of code would they be? For FCP Apple licensed EDL library from Alba Editorial and VTR control from Pipeline digital. Alba site is up but Pipeline is gone. Of course there is also OMF which is Avid.
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Possibly. What I saw launching FCPX for the first time wasn’t an NLE but an interesting footage archive solution. Looked great for home. Looked promising for emerging “newspaper television” market.
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“Real production metadata” is something that comes from the set embedded in the video or audio file, not in email or on the post-it note. The constrain is not the type of information but the medium it is carried on.