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  • Carsten Orlt

    February 27, 2012 at 3:06 am

    I always thought the award is for best editing and NOT for best software?

    Must have got that wrong all those years….

  • John Pale

    February 27, 2012 at 3:09 am

    Did kem, steenbeck and moviola keep score?

    I would guess they still have a big lead.

  • Oliver Peters

    February 27, 2012 at 3:10 am

    Of course it does. But editors have a say in the NLE they choose and that benefits the company and attracts future users. Too bad Apple decided to poke a finger in the eye of film editors.

    Oliver

    Oliver Peters Post Production Services, LLC
    Orlando, FL
    http://www.oliverpeters.com

  • David Roth weiss

    February 27, 2012 at 4:37 am

    [Oliver Peters] “Too bad Apple decided to poke a finger in the eye of film editors.”

    It’s too bad for Apple and too bad for editors at every level.

    Also, it’s too bad FCP didn’t get mentioned in the In Memorium section of the Oscars – I would have cried again this year.

    David Roth Weiss
    ProMax Systems
    Burbank
    DRW@ProMax.com
    http://www.ProMax.com

    David is a Creative COW contributing editor and a forum host of the Apple Final Cut Pro forum.

  • Jon Smitherton

    February 27, 2012 at 4:52 am

    Funny, I think the irony is that the film has been edited before…and was perfected fine.

    Jon

  • Bill Davis

    February 27, 2012 at 5:30 am

    FCP was introduced in April of 1999 at NAB.

    IIRC, Walter Murch’s Cold Mountain was cut in 2003 on FCP Legacy and IMDB notes that as the first oscar nomination where the “sub-$1000 FCP was used.

    So that would indicate that it took at least 4 solid years of development IN APPLE (discounting the work done by the Macromedia team on KeyGrip before Ubillos and the team took it to Apple) before the software developed into something “Oscar level work worthy.”

    No telling if X will ever again develop in the “big movie” direction – since that’s such a niche part of the overall industry of editing visuals today.

    FWIW.

    “Before speaking out ask yourself whether your words are true, whether they are respectful and whether they are needed in our civil discussions.”-Justice O’Connor

  • Shane Ross

    February 27, 2012 at 5:35 am

    This is one thing I just don’t get. Doesn’t matter what tool was used to make the film. They don’t say “man, that Craftsman Wrench was behind the Ford F150 winning the JD Power and Associates award for 2012…”

    Shane
    Little Frog Post
    Read my blog, Little Frog in High Def

  • David Lawrence

    February 27, 2012 at 6:03 am

    [Bill Davis] “No telling if X will ever again develop in the “big movie” direction – since that’s such a niche part of the overall industry of editing visuals today.”

    Maybe it’s a niche but it’s a niche comprised of the best of the best in the industry. Oscars make for excellent ad copy last I checked. Guess Apple plans to make up for the loss of prestige users with volume.

    _______________________
    David Lawrence
    art~media~design~research
    propaganda.com
    publicmattersgroup.com
    facebook.com/dlawrence
    twitter.com/dhl

  • David Roth weiss

    February 27, 2012 at 6:06 am

    q[Shane Ross] “This is one thing I just don’t get. Doesn’t matter what tool was used to make the film. They don’t say “man, that Craftsman Wrench was behind the Ford F150 winning the JD Power and Associates award for 2012…”

    Sure it does, because now the tool those guys used to win two years in row has been “end of lifed” by its developers, and that’s is ironic, just as Oliver said.

    Why is it ironic? Because it’s very hard to win an Academy Award for Best Editing two years running – and the guys that won chose to edit on a NLE they obviously liked and found extremely useful, but which Apple has decided to kill for some unknown reason in spite of the fact that it was extremely well-liked by many thousands of editors, including some of the very best in the world.

    That my friends is ironic, and Oliver was right on target by identifying it as such.

    David Roth Weiss
    ProMax Systems
    Burbank
    DRW@ProMax.com
    http://www.ProMax.com

    David is a Creative COW contributing editor and a forum host of the Apple Final Cut Pro forum.

  • David Roth weiss

    February 27, 2012 at 6:10 am

    [Bill Davis] “No telling if X will ever again develop in the “big movie” direction – since that’s such a niche part of the overall industry of editing visuals today.”

    Apple would obviously rather sell to millions of people just like you Bill, and it looks like they’ll probably get their wish.

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