[Mikael Demel]

If You have multicams & external audiorecorders, it’s a good practise to let them roll uninterupted until the scene is recorded. Like if You record a koncert, it’s a hazzle if someone is using the start/stop button and creates loads of clips to sync.

It’s way easier to just have to sync the begining of each scene, and then do the cutting.

Good luck!

[Mikael Demel]

Hi Greg,

With that huge amount of pins and the minimal amount of time in the film, why not just make a simple transition between two pictures, one empty and one with markers.

With a new plug-in, You’ll end up with hours before it’s set and done anyway.

Goid luck!

Demel

[Mikael Demel]

Hi there,

I suppose You can just blend them together by tweaking the transparancy a bit. Or maybe just using the built in dissolve transition. Hope I understood the question right.

Greetings! / MD

[Mikael Demel]

Hi Rod, did You manage to capture the tapes undivided?

I’m about to do the same job soon, just wondering how You solved it.

I was thinking about QT Pro, if that could be a solution.

/ Demel

[Mikael Demel]

Hi Ethelyn,

the stabilizer/tracker in AE is way better then the stabilizer in FCPX. You have to go for Motion or CoreMelt’s plugins to come close.

But yes… a stabilizer (only) exists i FCPX.

BR / Demel