Michele Poggi
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Here I am again. You should have the file (thank you, again) and during this time I worked on the clip, doing various tests.. This is what I came up with now.
I think it’s a much better result, but there is quite the room for improvement since you can’t actually “understand” from where the flash actually comes..
Aside from that, even other hints are deeply appreciated, thanks to everyone.“Freelance Post-Producer”
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Digital CompositorMail: snm.poggi@gmail.com
Mobile: +39 3349129191
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*uploading*
“Freelance Post-Producer”
Editor Video
Graphic Designer
Digital CompositorMail: snm.poggi@gmail.com
Mobile: +39 3349129191
Skype: sabakunomaiku -
I’ve exported the clip, let me know how can I send it to you and I’ll do it istantly.
“Freelance Post-Producer”
Editor Video
Graphic Designer
Digital CompositorMail: snm.poggi@gmail.com
Mobile: +39 3349129191
Skype: sabakunomaiku -
If it is ok for you, I can give you an LQ file via Wetransfer if you can give me your e.mail
I’d be grateful. 😉 The shot even gets more complex later on.
“Freelance Post-Producer”
Editor Video
Graphic Designer
Digital CompositorMail: snm.poggi@gmail.com
Mobile: +39 3349129191
Skype: sabakunomaiku -
That really is a good point.. I think that in the close shots I’ll have to create a masked shadow of items and actors on the background, indeed.
If anyone has any suggestion or maybe “technical idea” about “how-to”, let me know!
I also think there could be indeed a plugin for this other than VideoCopilot Optical Flares.“Freelance Post-Producer”
Editor Video
Graphic Designer
Digital CompositorMail: snm.poggi@gmail.com
Mobile: +39 3349129191
Skype: sabakunomaiku -
I’ll check that out, thank you very much.
“Freelance Post-Producer”
Editor Video
Graphic Designer
Digital CompositorMail: snm.poggi@gmail.com
Mobile: +39 3349129191
Skype: sabakunomaiku -
Excellent reference, thanks.
There is indeed a shot like that, but the other clips actually have the lamps towards the actors, showing the back to the camera. What could be a good way to create the light? *mumble*
White solids in add, maybe some orange ones to fine edges. The reference you gave me could indeed be a great starting point to create, frame by frame, the “death” of the lamp after the burst.
“Freelance Post-Producer”
Editor Video
Graphic Designer
Digital CompositorMail: snm.poggi@gmail.com
Mobile: +39 3349129191
Skype: sabakunomaiku -
In other words, I’ll have to do post-production on a lot of single frames, with the duty of “adding” rain into them. It should look the more realistic possible and that’s why I was asking here, my idea was indeed to use the CC_Rain effect, but I wonder if there are any other options out there..
Especially since I could have to do some rain drop actually in the moment it’s hitting something. Maybe with some photos composited into the frame?
“Freelance Post-Producer”
Editor Video
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Digital CompositorMail: snm.poggi@gmail.com
Mobile: +39 3349129191
Skype: sabakunomaiku -
Thanks. 😉
“Freelance Post-Producer”
Editor Video
Graphic Designer
Digital CompositorMail: snm.poggi@gmail.com
Mobile: +39 3349129191
Skype: sabakunomaiku -
If that could be possible, I’d already have done it for sure! That’s the problem, indeed. ;( The video can’t be re-captured, because it was a “once and forever gone” footage, even more troublesome is the thought that I DON’T know what could have been gone wrong, so that I can’t be sure if and when this will happen again, making me lose more work.
For example: if the 3rd video gets like this, like here, I lose also the time spent for the 1st and 2nd.. It’s a really strict sequence and once filmed you can’t repeat the footage, so I this happens again at the 15th, I’ll lose all the work up to 14.
“Freelance Post-Producer”
Editor Video
Graphic Designer
Digital CompositorMail: snm.poggi@gmail.com
Mobile: +39 3349129191
Skype: sabakunomaiku