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Michael Nichols
September 25, 2008 at 5:43 pm in reply to: Colored lines in my Clips in a sequence

Maybe my brain is fried then. How is this dupe detection if it happened in a new project??
Michael Nichols
September 4, 2008 at 2:19 am in reply to: Audio is offline after source move

Thanks Jerry! Always to the rescue…

On that note, I have figured out a work-around that might actually speed things up a bit. Question though: Shot in the dark here, but is there a way to batch rename source files? I ask, because my sound recordist gave me all the sound files with the source names of “recording.mov, recording1.mov” etc. I have renamed all the recordings in FCP, but if there was a way to match the source name with the file name in FCP, I can save myself a boat load of head aches.

Thanks in advance!
Michael Nichols
August 27, 2008 at 6:55 pm in reply to: DPX – Gluetools – FCP – Color – Workflow

My array is fast enough. The Caldigit HDOne gets close to 400mb/sec and my “2K” DPX files are 135mb/sec. I was under the impression though, that “Send to Color” is not an option when using GlueTools and FCP.
Michael Nichols
June 25, 2008 at 1:38 am in reply to: EDL and 2 Perf 35mm

It’s cool. I was just saying I have faith in my lab! I just saw a demo of an F35. Thing of Beauty!
Michael Nichols
June 24, 2008 at 8:42 pm in reply to: EDL and 2 Perf 35mm

I am pretty confident my lab did right by the direct to disk TK.
Michael Nichols
June 24, 2008 at 5:54 pm in reply to: EDL and 2 Perf 35mm

[gary adcock] “I do not EVER recommend ever using subclips for this type of workflow.

Too often people (asst editor are notorious for this) are lazy and they capture whole tapes that may have TC errors or multiple TC’s on one tape making the conform very very hard.”

Well, I had my camera rolls telecine’d direct to disk, so there were no tapes to log each scene/take individually. Each lab flat is its own quicktime file.
Michael Nichols
June 24, 2008 at 3:30 pm in reply to: EDL and 2 Perf 35mm

Regarding multiple layers of video, does that mean that each video clip needs to be in the same track, or just cannot be layered? If I have a clip in v2 and nothing in v1, is that ok, or should I just put everything in v1?

Also, am I okay with subclips and new master clips? I sync’d audio to the video and created new clips and edited using those.

Thanks gary!!
Michael Nichols
June 13, 2008 at 10:56 pm in reply to: 35mm Film to Tape/Data efficiency

Thanks for the reply.

ANY thought of a DI is out the window because of cost. SR is my way of “splitting the difference.”
Michael Nichols
June 11, 2008 at 6:16 pm in reply to: Audio not matching waveform

So, what do I do regarding syncing? Do I sync the clap with the mark in the waveform or the audible mark??

BTW, I had more fun with “Closer”
Michael Nichols
May 10, 2008 at 4:55 pm in reply to: NTSC Monitoring on Macbook Pro

I have a JVC HDV clamshell. I wonder if I can FireWire out to that and component out to the monitor.

Wouldn’t it just use the DV CODEC though?

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