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  • In an effort to simplify, and more to the point clarify the intensity of these lights, I should add that the lamps aren

  • Ken,
    Thanks for the congratulations. As it stands today, and assuming that the design doesn

  • Michael Munkittrick

    May 1, 2005 at 5:54 pm in reply to: Parabolic microphone parts???

    Yeah, I found that…but I’m looking to replace the dome on an older Audionics piece that, sadly ha been out of production for a few years. Basically, I’m trying to track down a dome that can be used in the place of the old plexi-dome. It still works well, but it’s discolored to the point that it looks as if it’s seen years of better service, and even a coat of paint doesn’t make it look worthy of the road. Anyway, thanks for the input and let me know if any other ideas come about.

    Michael Munkittrick
    Managing Creative Director
    Evolve Media Solutions

    Forum COWmunity leader for:
    Sony DV
    Magic Bullet

  • Michael Munkittrick

    April 25, 2005 at 2:58 am in reply to: Title Fade Question

    Define in a bit more detain what you need. If it’s just a simple fade-in and fade-out of the titles, that’s easily found in the earliest chapters of the manual. If you’re trying to take the AVI and use it as a gradient layer for an transsition, do a search for “track matte” and you’ll find a load of stuff right within the manual for this level of instruction.

    Michael Munkittrick
    Managing Creative Director
    Spiral Design Studios/DieselVFX

    Forum COWmunity leader for:
    Sony DV
    Magic Bullet

  • Yeah, I kind of figured that out the hard way. Might you have a project file that I could sample to teach myself some soft-core dynamics, or do you have a sample of what your able to obtain so that I might review it and learn from it?

    Thanks,

    Michael Munkittrick
    Managing Creative Director
    Spiral Design Studios/DieselVFX

    Forum COWmunity leader for:
    Sony DV
    Magic Bullet

  • That was my first stop, but looked pretty weak overall. I was trying to get something with a bit of actual depth, but I’m quickly realizing that 3D is almost the only way to get that combination of motion and depth. Thanks for the input.

    Michael Munkittrick
    Managing Creative Director
    Spiral Design Studios/DieselVFX

    Forum COWmunity leader for:
    Sony DV
    Magic Bullet

  • I respectfully disagree with Alex, but because of the theory, not the suggestion. Here

  • Sorry about that. I meant that I need a means to create lightning strobes all around a solid mass embedded within the video file. I

  • Well, considering the possibilities for a program with those criteria as loosely described as they are, the cost could be fairly high, or it could be astoundingly low.

    Being that the program will be 30 minutes in length, your actual content will more than likely be around 26:00. I produce two programs for OLN and they are drastically different in content and cost to produce. The producer and the budget of your project will decide those factors for you.

    As a rule, the identity of a program can be constructed as a part of the program itself, but it isn

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