Forum Replies Created

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  • Michael Gissing

    November 28, 2009 at 12:21 am in reply to: Mixture of 1080i and 720p footage for PAL SD Delivery

    Sorry. Don’t agree at all. You are advising people to reduce their resolution.

  • Michael Gissing

    November 27, 2009 at 11:47 pm in reply to: Horizontal Lines in Video

    Better still, deinterlace using Compressor so that you maintain interlaced sequences for broadcast in FCP, but make the web version deinterlaced.

    Also Compressor does a nicer job of deinterlacing than the FCP filter which throws away resolution. Search the forum as the settings for this have been covered many times.

  • Michael Gissing

    November 27, 2009 at 11:44 pm in reply to: EOS 7D file issue

    Actually Dave, the 7D can be set for proper film and broadcast frame rates unlike the 5D which is stuck on 30.

    And Frank, if you search the forum for Canon 5D you will see that the issues of correct codec, frame rate and audio sample rate have been discussed ad nauseum.

  • Michael Gissing

    November 27, 2009 at 11:39 pm in reply to: Sound timing problems.

    Because you are slowing the image by .1%, you need to do the same on the audio.

  • [Petteri Evilampi] “If it is 25p I would de-interlace all other materials and make this a progressive project.”

    But SD is interlaced so why deinterlace all the HD material? I would convert the 720 to 1080 50i so that you also have a broadcast compatible HD project if you ever need it and it will downconvert nicely to SD. I don’t know if the Decklink downconvert is better with the Extreme, but I have just changed from Decklink ProHD to Kona3 and the downconverts are much better.

    I don’t use compressor for downconverts as kona is reatime to digi beta.

  • Michael Gissing

    November 27, 2009 at 6:24 am in reply to: Exporting format for Pro-tools?

    [Erik Lindahl] “Using MPEG4 or h264 sounds a bit iffy in my book unless it’s just used as a transport codec. There can also be quite iffy in terms of frame accuracy.”

    There is no reason for this other than not setting frame rates correctly. If you use Quicktime conversion, set the frame rate manually not the default “auto”.

    I have both FCP and Fairlight Xynergi’s and H264 files are preferred and frame accurate. Personally I don’t want a T/c window but you should always ask.

  • Michael Gissing

    November 24, 2009 at 6:05 am in reply to: HDV scales by 133 for 1920 timeline?

    Nothing to fear with the scaling. FCP firstly reduces the vertical to take out the anamorphic and then zooms the pic back up to full frame.

    It might seem strange but it is effectively just stretching the horizontal. The vertical resolution remains the same.

  • Michael Gissing

    November 24, 2009 at 5:54 am in reply to: how to upgrade to fcp studio 3

    As this has been covered many times, try searching the forum first and then if you have any specific queries, please ask.

  • Michael Gissing

    November 21, 2009 at 11:47 pm in reply to: Significant color shift between FCP and COLOR?

    No I have not seen this behaviour. What codec are you sending and what codec is returning?

  • Michael Gissing

    November 21, 2009 at 11:38 pm in reply to: Too Many KP’s

    Why not buy a new system drive and do a clean install, keeping the old drive to go back to if problems occur? The forum has been littered with tragedy stories from people trying to install both OS & FCS3 over an older version.

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