Forum Replies Created

Page 585 of 668
  • Michael Gissing

    January 10, 2010 at 11:48 pm in reply to: 5D/7D workflow

    Just search this forum. The issue has been comprehensively discussed and it gets asked almost daily.

  • Michael Gissing

    January 8, 2010 at 9:34 pm in reply to: Dialogue Level

    I tried Levelator out about a year ago when this forum went through the same discussion and it was recommended.

    I was not entirely impressed as they are applying dynamics compression so my caveat continues that unless you are finishing the audio in FCP (something I never recommend) then do no do processing like normalising or using Levelator if you are then exporting an OMF for proper audio post production as you affect the clips in the OMF unlike applying plugin filters which are ignored by an OMF export.

    The quality of dynamics control that I am used to with professional mixing systems like Fairlight are better than Levelator which does an excellent job but is not in the same league of a well driven dynamics module.

  • Michael Gissing

    January 8, 2010 at 3:10 am in reply to: Canon 7D Audio Synching

    It is also poor forum etiquette to keep asking the same question again each day.

  • Michael Gissing

    January 6, 2010 at 10:20 pm in reply to: Strange watery effect after color corretion?

    The problem is most likely the limit effect 3WayCC. Try softening the HSL (slider at the bottom) and also play with edge trimming.

  • Michael Gissing

    January 6, 2010 at 7:41 pm in reply to: Final Cut Pro and Pro Tools integration

    Have a look at Fairlight. They can now import XMLs directly from FCP. The Fairlights run on a Windows PC, the perfect way to isolate an audio system from FCP.

    We have two Fairlight Xynergis giganet networked with the MacPro running FCS3 and have no problems transfering file data across the network

  • Michael Gissing

    January 5, 2010 at 10:58 pm in reply to: 4:4:4 QT codecs?

    Is Animation 4.4.4 10bit though? If not then Dave’s image sequence file would be the better option

  • I am on 7.0.1 and Color 1.5.1 and this behaviour has not been noted. So far I have been using ProRes (not HQ) and ProRes4444.

    It may be a known issue with earlier version of Color and FCP. Did you search the Color forums as well?

  • Michael Gissing

    January 5, 2010 at 10:51 pm in reply to: Noise Gate

    Hmm 6db is over 0db. FCP is not a finishing audio device, simply a crude offline device for audio.

    Most importantly audio finishing requires operator skill and experience as well as the right tools. Just like there isn’t a magic plugin that edits, there aren’t filters that mix audio properly.

  • Michael Gissing

    January 3, 2010 at 4:17 am in reply to: Probem with media manager

    [michal blinder] “i marked all of them and went to the media manager”

    I am not sure if you understand how to use Media Manager. Have you read the manual?

  • Michael Gissing

    January 3, 2010 at 4:14 am in reply to: Reg. Lip non-sync

    If the Qt file is in sync, then the issue is with your playout server. FCP and creating the Qt should be left as it is. Do not try to compensate in FCP.

    As this is a Final Cut Forum, I don’t know if anyone here will have any experience with that server. Have you contacted Kona or the agents for that particular server? They may know what the correct setup is for that card/ server combination.

Page 585 of 668

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy