Michael Cinquin
Forum Replies Created
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why don’t you render full scale with a 1D LUT such as “DataToVideoClip” ?
Michael Cinquin
Final Cut Pro – Avid Media Composer editor
DaVinci – Color – Baselight colorist
Color profiles for Color
http://www.michaelcinquin.com/tools : tools for FCP | Color | RED | subtitles | Cinema Tools | Timecode – Keycode calculator -
My Areca Raid card used to do the same from time to time. I had even setup a startup-script to test for the raid speed and alert me if it was unexpectedly low.
The problem went away when I changed computer, so I think it was a problem with a mac pro, not with the Card.
BTW, I don’t recommend Areca Cards, driver for os x was troublesome for me, I had to deactivate a lot of options to make it reliable.Michael Cinquin
Final Cut Pro – Avid Media Composer editor
DaVinci – Color – Baselight colorist
Color profiles for Color
http://www.michaelcinquin.com/tools : tools for FCP | Color | RED | subtitles | Cinema Tools | Timecode – Keycode calculator -
the eye one pro was sold too
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Same problem here, whatever daVinci version. From FCP, with same sound file, same video card, no problem.
The biggest clicks can be heard with classical music (Bach…)Michael Cinquin
Final Cut Pro – Avid Media Composer editor
DaVinci – Color – Baselight colorist
Color profiles for Color
http://www.michaelcinquin.com/tools : tools for FCP | Color | RED | subtitles | Cinema Tools | Timecode – Keycode calculator -
it is. Please see contact info on https://www.michaelcinquin.com/get_in_touch as I have unsubscribed from this thread.
cheers
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[jake blackstone] “I used the Noise Reduction to simulate a heavy GPU load. I used settings of 2 and 3 on the NR to see the playback speed.”
I guess this is the NR Radius settings. Could you mention the NR Threshold you used as well, so we have a point of reference ?thanks
Michael Cinquin
Final Cut Pro – Avid Media Composer editor
DaVinci – Color – Baselight colorist
Color profiles for Color
http://www.michaelcinquin.com/tools : tools for FCP | Color | RED | subtitles | Cinema Tools | Timecode – Keycode calculator -
Hello
Sacha, would you mind re-uploading your test files ?
I would like to compare with my setup.If it’s okay with you, I think it would be great to host the files somewhere they don’t expire, so that we all have a common reference when talking performance
thanks
Michael Cinquin
Final Cut Pro – Avid Media Composer editor
DaVinci – Color – Baselight colorist
Color profiles for Color
http://www.michaelcinquin.com/tools : tools for FCP | Color | RED | subtitles | Cinema Tools | Timecode – Keycode calculator -
the Hubble was sold, cheers
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I’m well aware that it’s fine to do calibration, calibration is the key to the success of all the digital intermediates and dcps I’ve done in the past years. After having done quite a bit of research on the subject, I happen to have the opinion that it’s not an improvement to have a calibration system sitting on top of a good calibration system, aiming the same target. This is why I don’t use a LUT system on top of my FSI’s internal LUT
So you can leave this thread at peace, let’s change the tiny sentence you made all this fuss about into :
“FSI…, whose internal calibration cannot be adjusted by the end user unless she owns (or rent inside the USA) FSI’s calibration kit.” -
[jake blackstone] “You absolutely CAN calibrate the FSI monitor…
You sure can profile your FSI monitor with whatever probe you have, then build a LUT with whatever software you have, then use whatever software or hardware to apply the lut, and you’re free to call the result “calibrated”. Of course that will not change the internal settings of the FSI, it will merely put a LUT in top of the internal LUT of the monitor.