Forum Replies Created

  • Melissa Mcleary

    October 24, 2011 at 3:37 pm in reply to: Delivery requirements for Australian broadcaster

    Hi Mark
    Yes that statement (“Deliver in high definition. Codec DVCPro50”) confused me considerably.
    I’ve since found out there is the option to deliver a high definition Apple ProRes file or a standard definition DVCPRO50 file.
    But that’s all the information I have.
    The director is going to ask for the HD specs.

    Thanks for your response

  • Melissa Mcleary

    September 24, 2011 at 2:48 am in reply to: Some Proxy files do not fill Canvas and Viewer

    Hi Eric
    All I had to do was select the incorrect clips. Right click -Remove Attributes
    And remove Distort
    Thanks for your advice!!

  • Melissa Mcleary

    September 24, 2011 at 2:44 am in reply to: Some Proxy files do not fill Canvas and Viewer

    Hi Eric
    Thanks for the tip. I tried that but it didn’t have any effect.
    Thanks for your help though

  • Melissa Mcleary

    September 20, 2011 at 3:34 am in reply to: Creating a custom fade-up

    Thanks Zac! I found Arron’s tutorial very easy to apply to Motion. Thank you for the tip about Levels

  • Melissa Mcleary

    August 2, 2011 at 6:55 am in reply to: Workflow for 16mm Short

    Yes the files are 1920×1080.
    Thanks for your advice. I’m guessing I won’t be able to make subclips from the ProRes files without having issues with the online.
    Do you know if I can merge audio clips with the ProRes file? When the vision is locked I’ll export an OMF for the sound editor and reconnect the Uncompressed footage in a timeline without audio.
    Thanks so much for your help.

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