I am the guy shooting the 11 day documentary. I am shooting with this camera for several reasons:
1.) I Like panasonic products the best. I only want to buy one HD camera, and this is the one for so many reasons: variable framerates, I like panasonics colors better, no moving parts, tapeless is the way of the future, DVCpro codec (no matter what the critics say Barry Greens greenscreen test proves it is 4:2:2 or very close, I would NOT trust HDV for green screen), my current DVX100 batteries (I’ve got 8) work with this system, no tape dropouts (which have been a probalem for me in the past), I believe it will match my current DVX100A and on and on.
2.) I shoot with the P+S technik Mini35 and I believe the DVCPro codec will hold up better than HDV.
3.) If I shot 4 “HDV” tapes a day for 11 days at $25 a pop It would cost $1,100. For just a little more I can purchase hard drives that can be used for projects for the next year or two.
4.) You might say use the right tool that easiest for the job. If I rent an HDV camera for the 3 weeks I am going to be gone I could pay for at least half of this camera. Not to mention the codecs that are not ready for FCP, or the decks I would have to rent to play the footage back when I return. While it may be slightly more cumbersome I still believe the picture will be better from this camera, especially variable frame rates.
5.) When I get back I will save 3 days it typically takes to digitze, which improves my post production workflow.
6.) I can selectively arcive the footage I want on a Hard Drive and stick it on the shelf. Eventually I can burn Blu Ray disks or what ever technology becomes available.
7.) Everything will get easier with time, bigger P2 cards, Blu Ray disks for archiving (or whatever comes in the near future)
Is it EASIER than tape right now?? Probablly not, if I wanted it to be easy I would stick to my DVX100. But were talking about taking the game up to a new level and all things considered this is the best way for me to do it.