Maurice Jansen
Forum Replies Created
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well
the audio people gave the timecode to you to sync insert the recorded audio from them under the video on the tape in post. what has gone wrong is that it was free running. SMPTEtimecode has a relation with video (every timecode frame is a videoframe) if the generator was really freerunning it is useless. the timecode can now change from 10:00:00:01 to 10:00:00:02 in the middle of a frame. which is wrong.
in a long concert say 3hours you can be confronted with the fact that the audio from them is perfectly sync on the first song but completly async on the last.
i hope you have time/budget to fix cause this can be very time consuming.succes
mauricePeople saying they don’t make mistake’s often make nothing at all!
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well
the have a FTP site.
i don’t know if i may publish it so i won’t.ask it on support@vistasystems.net
maybe they only give it if you own a vista product.
the serice level is very high so you will get a reply
greet
People saying they don’t make mistake’s often make nothing at all!
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sorry
but when your content becomes HDV it will be 4:2:0
as this is the bottleneck you will not get better result’s by capturing it in 4:2:2 what is not there can not be recreated.this will not mean that the SDI output of your camera will be true 4:2:2
but it will not be when playing back from tape.greet
mauricePeople saying they don’t make mistake’s often make nothing at all!
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by the way
i’m looking for a budget one box HD to DVB-C Encoder/modulator
unfortunatly the zoovoo does not support signals used in europe.
if any one have a suggestion plese let me knowgrt
MauricePeople saying they don’t make mistake’s often make nothing at all!
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hi as you might know
SDI is NRZI encoded (non return to zero inverted) and not polarity sensitive. (this is where the miniconvertor’s are of coarse made for)
ASI is polarity sensitive and can give you different result’s
if your working enviroment is fixed try to get a demo unit. if it works buy it if not go on searching. in a more dynamic working enviroment you have to test with both polarity’s. a lot of cheap SDI-VDA often have one straight and multiple polarity inverted output’s(or the other way around) you can use this to find out if the output of the far end is polarity sensitive.great
MauricePeople saying they don’t make mistake’s often make nothing at all!
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best question is
where dou you want it to use for exactly????
and what is the rest of the setup.
greet
MauricePeople saying they don’t make mistake’s often make nothing at all!
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oops
i figure my first question was quite dumb 😉
2 deck’s jelling back on what timecode they are when cueing up
will confuse me and a NLE.
Not even talking about making a proper EnsembleEdit on 2 deck’s at the same time.sorry for my stupidity.
greet
mauricePeople saying they don’t make mistake’s often make nothing at all!
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hi bob
funny that no big router manufacturer ever made a product.
just for a post enviroment. indeed the GUI is brilliant for non tech’s as editors are today.one thing i was wondering can you route 1 NLE to multiple deck’s with control and how will it handle return data on the RS422 can be handy if you want to make more masters in one run. is simple cut cut / deck to deck editing still possible?
can you protect output’s / crosspoint’s . (not that editor nr5 suddenly stops a deck where editor 1 is mastering with )
greet
MauricePeople saying they don’t make mistake’s often make nothing at all!
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hi justin
deinterlacing is one of the things you can talk about for hour’s and alway’s will degrade your source material. The blend option is a very simple way of deinterlacing. it will give smooth results on the movingparts of your image but will degrade the staticpart’s of your image too much. nice for quick evaluation copy’s but not for delivery.
there are quite a few way’s to de interlace and it will be too much to explain in a post. since i don’t know vegas if you have these 2 option choose interpolate.take some time to test things out.
and use moving video for your test’s. i use a metronome in front of a camera to make my test material,the metronome moving in front of a resolution testchart reveals a lot. since the pendula of the metronome has all kind’s of speed’s it will reveal tresholds of motion estimaters.
and the way they work (local or on the complete frame).i once had a typical shot of a conveyor belt with in the background a brand of a other machine in the room. when ever there was something on the beld the brand was unreadible when the beld was emty the brand was razor sharp.
again i don’t know vegas.
but trial and error is a learning experience for this issuegreet
MauricePeople saying they don’t make mistake’s often make nothing at all!
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well
i don’t know your specific needs.
pure for “what is going on” monitoring you could use DVI to a FSI
but you will not see colorspace or interlacing problems.if it is for picture quality analyzing use the things mentioned before
greet
MauricePeople saying they don’t make mistake’s often make nothing at all!