Matt Trubac
Forum Replies Created
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Or maybe.. Quickly go through and assign a rating or reject the dups and then view only the assigned rating or rejects and delete them all from your event at once.
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Did you import everything on the same date? Hopefully no. Toward the bottom of the library there are some sort / group tools, and I believe you can group by date imported.
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I would make a copy of the original audio file on your hard drive. Open the copy in audition. Do your edit, but don’t change the length from the original. Otherwise your ins and outs won’t match up after performing the next step inside premiere. Save inside audition. Jump back to premiere and find the master clip for your audio in your project panel. To make sure select one of the audio clips in the timeline, right click > reveal in project. Right click the master clip in the project > make offline. Leave the original clip on the disk for now just in case you want to go back. Then reconnect your offline clip to the new edited audio file. Your timeline clips will now all reference the projects master clip which now references your edited audio file. Not in front of premiere at the moment so my right click context menu commands may not be the exact wording used in premiere but I’m close.
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Thanks for your help Eric. Max Render quality didn’t help. Someone in the Adobe Discussion Forum suggested to uncheck “Composite in Linear Color” in the sequence settings.
Unchecking this has resolved my issue. I am not sure what the problem is. It seems from reading a bit that linear compositing should render the best results, and that while using the GPU acceleration, compositing is always done in linear. I think the checkbox forces linear compositing in software mode, but causes a problem when using the GPU. Maybe someone who understands this better could confirm or elaborate?
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I don’t know of one, but I do get finer and more accurate adjustment by holding the command key while using the mouse.
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Here is an update in case anyone else runs into this. Upgrading to Mavericks from a previous version of OSX it seems, at least on my systems, left SMB file sharing disabled. When I did the clean install of Mavericks both SMB and AFP were enabled under the options in the file sharing preferences. I remember reading that apple is moving toward SMB2 (with mavericks?) but there must be a few glitches. I think the first two Mavericks updates addressed issues with SMB or file sharing.
Anyway, I disabled SMB on the iMac and no more issue.
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If it is a first gen Mac Pro you won’t be able to run FCPX 10.1. Your Mac Pro won’t run Mavericks, and I am pretty sure 10.1 requires Mavericks.
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I know
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Use the search box. This topic has been covered many times.
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Just cut out and copy the section of the multiclip with the audio you want, or match frame and edit it back in. Between audio component view and expanded audio view you should be able to do what you need. Drag it below the primary storyline, or leave it above and turn opacity to zero. Pretty much what you want to do by detaching I think.. Just make it so the video doesn’t show.