[Matt Shires]

Once it’s all captured is it possible to bring it up to full raster in compressor? or will this degrade the picture?

[Matt Shires]

Hi Walter,

Thanks for the response.

Can you not capture prores 422 via the firewire out on a deck?

[Matt Shires]

Thanks for the info, I am planning on shooting footage with the camera. I saw philip bloom use the Nikon mount Zeiss ZF 50mm f1.4 on sofia’s people, obviously his a very talented gent, and I’m a cack handed novice but would his lense be any good?

Thanks again

[Matt Shires]

Hey Juris,

thanks for response, Soho editors have stopped their avid courses infact quite alot of places don’t do avid anymore even though I’d still say 50% of editing jobs still ask for knowledge of it.

[Matt Shires]

Hi Eric,

Does that mean we won’t be able to use the Prores 4444 codec with the black magic?

[Matt Shires]

Thanks Steve, appreciate the link,

however doesn’t answer why I can’t export .flv files from FCP. When I go to export either by quicktime, compressor or quicktime conversions I’m not give the option. I have Adobe production premium installed on the machine so thought I’d be able to, perhaps misguided?

[Matt Shires]

Does it matter setting the Pluge bars with blue only after i’ve set the chroma and hue? or should i do the brightness and contrast first then the chroma?

I’m possible making this way more tricky than it is?

Cheers, Matt

[Matt Shires]

cheers Josh,

any idea how I get CS4 to recognise I have a blackmagic card as the only codec options it’s giving me at the moment are 10-bit RGB Blackmagic which is a bit intense for my needs

Cheers, Matt

[Matt Shires]

Cheers Leo,

It seems in the premiere pro capture settings I don’t have any Blackmagic codec options beside 4:4:4 10bit, which is abit heavy, any one know how I can get the codecs into Premiere?

Thanks again, Matt

[Matt Shires]

thanks for the tip