Matthew Dorris
Forum Replies Created
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reving a nearly 7 year old thread here, but i’m having trouble getting the lines in the back of my transparent object to show through the transparency. For example, I have a 50% transparent rectangle, and the line shading is working for all the edges facing the camera on the outside of the rectangle, but when you look through it, you don’t see the lines in the back of the rectangle, further away from the camera.
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Yeah, seems it’s somehow tied to 32 bit rendering. Flipped it back to 32 and the glitch came right back.
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ah, yes, apologies.
what is in the screen shot is an mp4 render out of After Effects using the ‘h.264’ render module preset. i have rendered out a quicktime uncompressed (animation), quicktime pro-res 422, and an h.264 mp4 (i just wanted to have a small file to upload).
I turned the comp to 16 bit and did a render and the glitch has gone away, but of course I have a lot of banding and it doesn’t pop color wise as much as it did before. I’m going to turn 32 bit back on and see if the glitch comes back.
Matt
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Hi Dave,
I’m not sure what mp4 footage you are referring to, unless you mean the pdf graphic? otherwise there is no footage, just a few tiffs, and a pdf with a mask on it. Thanks for taking a look at my thread!
Matt
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OSX 10.6.7
AE 10.0.0.2.4
GEForce GT 330M
No Open GL as far as I can tell.The glitches are showing up in the RAM preview. Render settings are the default “lossless” output, with the codec changed to Pro Res 422.
Everything is fully updated. Ran the adobe updater, and the apple updater. Restarts aren’t helping. It’s really quite bizzarre.
Matt
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Matthew Dorris
February 5, 2009 at 5:23 pm in reply to: Removing product names from objects in shotsIs there a way to animate the position of a paint stroke? I.E, can I animate the position of clone stamp? I can’t find a keyframe option for it in the effects tab of the clip I’m painting.
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Matthew Dorris
December 20, 2008 at 3:12 am in reply to: wit’s end–1 out of every 4 frames interlaced in 1080 24pThat’s what I thought as well, but when I re-import the regular footage and look at the file info, the pulldown is 2:3:3:2, which would indicate it was shot in 24pA right?
Also, when I bring it into a 1080i 24pA project in Premiere it imports correctly at 23.98 with no interlacing problems. What gets really interesting is that if I export the p2 footage i bring into premiere to a p2 folder, and then log and transfer that into FCP, it removes the pulldown correctly.
There is something really strange going on and I’d like to fix it as I’ve already spent a significant amount of time editing.
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Matthew Dorris
December 19, 2008 at 8:42 pm in reply to: wit’s end–1 out of every 4 frames interlaced in 1080 24pHi Dave,
Thanks for taking the time to respond. It was capture off of a p2 card. It was brought into FCP via the Log and Transfer window, with “remove advanced pulldown and duplicate frames” selected. The strange part is that the pulldown was not removed, and i had to remove it via tools>>remove advanced pulldown.
matt
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Matthew Dorris
December 19, 2008 at 7:46 pm in reply to: wit’s end–1 out of every 4 frames interlaced in 1080 24pHey–
There is definitely something funky going on with the pulldown. There really isn’t a way to put the pulldown back in and then pull it out again is there?
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Matthew Dorris
December 17, 2008 at 9:22 pm in reply to: Importing HVX200/P2 footage shot at 1080i60Actually Damon could you clarify your workflow a little bit more?