Forum Replies Created

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  • Mark Smith

    July 27, 2013 at 11:29 am in reply to: Apply custom name seems wonky

    I;m attempting to do batch rename

  • Mark Smith

    July 26, 2013 at 11:58 pm in reply to: Apply custom name seems wonky

    I’m working in thumbnail view not list view which might explain the wonky behavior , now setting event browser to list view and phasers to stun

  • Mark Smith

    May 7, 2013 at 12:54 pm in reply to: Export problem

    I dont see the same problem here. Like I said, a time line with 4K image sequences , color correct applied along with retiming- No issues exporting.

  • Mark Smith

    May 6, 2013 at 5:06 pm in reply to: Export problem

    I’m on 10.08 and just exported half a dozen 4 K clips with color adjustments and time remaps with out any issues.

  • Mark Smith

    May 6, 2013 at 4:13 pm in reply to: Viewer Clips to compessor

    Doh ! I meant event browser. I can send one clip at a time from the event browser to Compressor, but I would like to send multiple clips. Seems like I am boxed out of that option.

  • Mark Smith

    May 6, 2013 at 11:15 am in reply to: Viewer Clips to compessor

    I understand the range slect and export. What I want to do is select a number of clips in the viewer and send those to Compressor, but so far FCP only allows one clip at a time to be selected and sent to compressor. I ‘ like to be able to select a group of clips in the viewer and send them as a batch to compressor.

  • Mark Smith

    May 3, 2013 at 4:05 pm in reply to: Keyframing a color board correction?

    so how do I send a feature request to Apple ? I’ll definitely do this.

  • Mark Smith

    April 23, 2013 at 12:18 am in reply to: Color Bit Depth Question

    Pro Res LT is 8 bit . I think by exporting a pro res lt file from your AVC I time line, you will have arrived at an 8 bit file.

  • Mark Smith

    April 15, 2013 at 1:21 pm in reply to: Grainy Blacks/Shadows in Green Screen Footage

    That’s out of my pay grade. I don’t thinks so however. baked in camera issues tend to remain baked in. I’m not really an editor though I do try to stay abreast to a degree of what is happening in post. An editor friend once told me the difference between shooting and editing which boiled down to this: In the edit if you don’t have some right you can command z a bunch of times and get back to where you were, however with shooting you pretty much have to get it right as there is no command z…

  • Mark Smith

    April 15, 2013 at 12:03 pm in reply to: Grainy Blacks/Shadows in Green Screen Footage

    Camera set up for green screen critical. I’m guess that if it was a sony camera with a standard scene file, the camera might have a bit too much detail enhancement dialed in, which is frequently the case with sony and some other cameras. Unfortunately detail enhancement is the enemy of chroma key in that it frequently adds noise to dark areas, essentially its enhancing the noise and that causes havoc with keying.
    Its far better to use a bit less contrasty camera profile and dial the detail wayyy back. On my C 300 typically I have the detail reduced to -10 or so because even at the out of the box detail setting of zero there is far too much enhancement for a pulling an easy key.

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